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  • Deep muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Veins of the head and neck. Coloured lithograph by William Fairland, 1837, after J. Swandale after W.J.E. Wilson.
  • Head of a man with a severe disease affecting his face and neck. Watercolour drawing by Christopher D' Alton, 1856.
  • Head and neck of an elderly man, seen in left profile. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1648.
  • Dissection of the back of the neck and head, with the muscles and blood vessels indicated. Colour lithograph by G.H. Ford, 1864.
  • Partially dissected head, shoulders, chest and neck of a man, showing the deltoid and pectoralis muscles. Watercolour by J.C. Zeller, ca. 1833.
  • Partially dissected head, shoulders, chest and neck of a man, showing the deltoid and pectoralis muscles. Watercolour by J.C. Zeller, ca. 1833.
  • Head, neck, shoulder and chest of a male écorché, with arteries and blood vessels indicated in red. Coloured lithograph by J. Roux, 1822.
  • Head and chest of a man with a disease affecting his neck, seen in profile. Watercolour by Christopher D' Alton, 1856.
  • Head, neck, shoulder and chest of a dissected male écorché, with arteries and blood vessels indicated in red. Coloured lithograph by J. Roux, 1822.
  • Muscles of the right side of the head and neck. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles and blood vessels of the head and neck: two figures of a dissection. Coloured lithograph by G.E. Madeley after A.A. Cane, 1834.
  • Glands, blood vessels, and lymphatic vessels of the head and neck. Coloured lithograph by William Fairland, 1837, after W. Bagg after W.J.E. Wilson.
  • A woman's head and neck; her eyes are closed and her mouth twisted into a grimace. Photograph by L. Haase after H.W. Berend, 1864.
  • Head, neck and arm of a woman with a skin disease; and a patch of skin detail. Coloured stipple etching by J. Pass, c. 1822.
  • Head and neck of an écorché figure, seen from behind, and small sketch of male nude in action. Red chalk and pencil drawing, by C. Landseer, 1815.
  • The head and shoulders of a young man, seen in 3/4 profile, with a large swelling on his neck. Drawing, c. 1818 (watermark).
  • Head and neck of an écorché figure, seen from behind. Colour mezzotint by J.F. Gautier d'Agoty after J.-G. Duverney, ca. 1780.
  • Head, neck, shoulders and trunk of a male écorché: two figures. Pencil drawing by J.C. Zeller ca. 1833 (?) after B. Genga, 1691.
  • Brain: dissection showing cross-section through head and neck, with lateral view of the brain. Coloured line engraving by W.H. Lizars, ca. 1827.
  • A woman in profile looking to the right; she wears her hair combed back, a hat and decorative ribbons on her head, neck and dress. Coloured engraving.
  • A head of a woman with a skin disease on her face and neck. Coloured stipple engraving by S. Tresca after Moreau-Valvile, c. 1806.
  • Head, neck and trunk of a male écorché, showing the superficial muscles. Pencil drawing by J.C. Zeller ca. 1833 (?) after B. Genga, 1691.
  • Dissections of a mole: thirteen figures, including the musculature of the head, neck, legs and feet. Lithograph by R. Mintern after F.W. Brookman, 1880/1900?.
  • Head, neck and trunk of a seated male écorché, shown from behind. Pencil drawing by J.C. Zeller ca. 1833 (?) after B. Genga, 1691.
  • Head and shoulders of a man, seen from the left, showing the muscles of the neck, chest and shoulder. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1651.
  • Head and shoulders of a man, seen from the left, showing the muscles of the neck, chest and shoulder. Etching by Wenceslaus Hollar after Leonardo da Vinci, 1651.