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  • Trinity College, Oxford: from Broad Street. Line engraving by M.A. Rooker after himself, 1785.
  • The adoration of the shepherds at the birth of Christ. Stipple engraving by G.S. & J.G. Facius, 1806, after J. Reynolds.
  • A personification of faith with a cross, standing on a column, looking upwards and raising her right arm. Stipple engraving by G.S and J.G Facius, 1781, after Josiah Boydell after Sir Joshua Reynolds.
  • The Vestal virgin Tuccia being inspected while carrying water in a sieve to prove her chastity. Etching by P.W. Tomkins,1798, after Sir J. Reynolds.
  • Galileo Galilei. Mezzotint, 17--.
  • Anatomical figure: c. 1400
  • Brasenose College, Oxford: the quadrangle. Etching by J. Basire the younger, 1805, after J.M.W. Turner.
  • The shepherds attending at the birth of Christ look up at the angel. Stipple engraving by G.S. and J.G. Facius after J. Boydell after J. Reynolds.
  • Two men studying a corpse by the light of a candle stuck in its chest. Etching after a drawing attributed to Polidoro Caldara (Polidoro da Caravaggio).
  • Two men studying a corpse by the light of a candle stuck in its chest. Etching after a drawing attributed to Polidoro Caldara (Polidoro da Caravaggio).
  • Two men studying a corpse by the light of a candle stuck in its chest. Etching after a drawing attributed to Polidoro Caldara (Polidoro da Caravaggio).
  • Two men studying a corpse by the light of a candle stuck in its chest. Etching after a drawing attributed to Polidoro Caldara (Polidoro da Caravaggio).
  • A man. Oil painting.
  • A man. Oil painting.
  • A clergyman. Oil painting.
  • A clergyman. Oil painting.
  • A nun, traditionally identified as Suor Maria Celeste, daughter of Galileo Galilei. Oil painting.
  • A nun, traditionally identified as Suor Maria Celeste, daughter of Galileo Galilei. Oil painting.
  • A nun, traditionally identified as Suor Maria Celeste, daughter of Galileo Galilei. Oil painting.
  • A nun, traditionally identified as Suor Maria Celeste, daughter of Galileo Galilei. Oil painting.
  • A young man holding a rod with a shaped end (sceptre?) and a round object. Reverse glass painting by a Qajar artist, 182-.
  • Constantinople: the Historic Peninsula. Engraving by J. Isac.
  • James Morison promoting his alternative medicines; satirised by five vignettes of a fox among geese. Etching by G. Cruikshank, 1833, after himself.
  • James Morison promoting his alternative medicines; satirised by five vignettes of a fox among geese. Etching by G. Cruikshank, 1833, after himself.
  • A palm tree (Socratea exorrhiza (Mart.) H. Wendl.) in Guyana, with aerial roots. Watercolour by E.A. Goodall, 1846.
  • Science: a parody frontispiece to the Penny Magazine, with humorous representations of the "March of intellect" movement. Lithograph by G. Davies, 1832, after C.J. Grant.
  • The works of that late most excellent philosopher and astronomer, Sir George Wharton, bar. Collected into one entire volume / By John Gadbury.
  • The works of that late most excellent philosopher and astronomer, Sir George Wharton, bar. Collected into one entire volume / By John Gadbury.
  • The works of that late most excellent philosopher and astronomer, Sir George Wharton, bar. Collected into one entire volume / By John Gadbury.
  • A palm tree (Iriartella setigera (Mart.) H. Wendl.) in fruit in Guyana. Watercolour by E.A. Goodall, 1846.