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  • A chemist gives a demonstration involving arsenic to an audience. Coloured lithograph by H. Daumier, 1841.
  • Demonstration of movement of the ball and socket joint of the femur. Etching by J. Bell.
  • Basra, Iraq (formerly Mesopotamia): the British army camp Sanitary Demonstration Centre: an earthen oven. Photograph, 1914/1918 (?).
  • A dancing demonstration in a school, attended by the pupils' families and friends. Etching by George Cruikshank.
  • Demonstration of the Great Electric Induction Coil at the Polytechnic Institution in London in 1869 by Professor Pepper.
  • Demonstration of the Great Electric Induction Coil at the Polytechnic Institution in London in 1869 by Professor Pepper.
  • University Children's Hospital, Vienna: a nurse making a demonstration to other nurses with a newborn baby. Photograph, 1921.
  • Christopher Wren making his first demonstration of a method of introducing drugs into a vein, before Dr Willis, 1667
  • Human skull inscribed for phrenological demonstration. One half accords with Gall's theories, the other, Spurzheim's. Probably of French origin.
  • Human skull inscribed for phrenological demonstration. One half accords with Gall's theories, the other, Spurzheim's. Probably of French origin.
  • Doctor Syntax attending a scientific demonstration at the Royal Institution, London. Coloured aquatint by T. Rowlandson after W. Combe.
  • Human skull inscribed for phrenological demonstration. One half accords with Gall's theories, the other, Spurzheim's. Probably of French origin.
  • Human skull inscribed for phrenological demonstration. One half accords with Gall's theories, the other, Spurzheim's. Probably of French origin.
  • Human skull inscribed for phrenological demonstration. One half accords with Gall's theories, the other, Spurzheim's. Probably of French origin.
  • Human skull inscribed for phrenological demonstration. One half accords with Gall's theories, the other, Spurzheim's. Probably of French origin.
  • Human skull inscribed for phrenological demonstration. One half accords with Gall's theories, the other, Spurzheim's. Probably of French origin.
  • Human skull inscribed for phrenological demonstration. One half accords with Gall's theories, the other, Spurzheim's. Probably of French origin.
  • Doctor Syntax attending a scientific demonstration at the Royal Institution, London. Coloured aquatint by T. Rowlandson after W. Combe.
  • Human skull inscribed for phrenological demonstration. One half accords with Gall's theories, the other, Spurzheim's. Probably of French origin.
  • Doctor Syntax attending a scientific demonstration at the Royal Institution, London. Coloured aquatint by T. Rowlandson after W. Combe.
  • World War One: demonstration of the Rogers trench stretcher by soldiers at Zelobes, Pas-de-Calais, France. Photograph, 1915.
  • Human skull inscribed for phrenological demonstration. One half accords with Gall's theories, the other, Spurzheim's. Probably of French origin.
  • Human skull inscribed for phrenological demonstration. One half accords with Gall's theories, the other, Spurzheim's. Probably of French origin.
  • The sanitary demonstration area, with two soldiers, on a First World War (?) army camp, Abassia, Cairo, Egypt. Photograph, 1914/1918.
  • The London Institution, Moorfields: the interior of the lecture theatre, a demonstration in progress. Engraving by G. Gladwin after B. Dixie.
  • 'Dr. Howard's method of treating the apparently drowned'; demonstration of the method of resuscitation used by Dr. Howard of New York.
  • Movable models of human eyes (ivory and metal). Used for demonstration in the 17th and 18th centuries. Italian and French.
  • Surgical instruments and applicances: 21 figures, including a demonstration of a combination stomach-pump/enema (?). Engraving with etching by J. Scott, 1850/1860?.
  • Johann Caspar Spurzheim giving a phrenological demonstration before Franz Joseph Gall and another seven people; a grinning devil looks on. Watercolour painting.
  • Men with two boys attending a demonstration on the anatomy of the horse. Etching with engraving by Prevost after C.F. Sollier, 17--.