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  • A man recuperating in bed at a receiving-house of the Royal Humane Society, after resuscitation by W. Hawes and J.C. Lettsom from near drowning. Watercolour by R. Smirke.
  • The trunks of the vena cava, with their branches, engraving by Benard, 1779, after an engraving by M. Vandergucht after W. Cowper, 1702, after a preparation by G. Leoni, c. 1645.
  • The trunks of the vena cava, with their branches, engraving by Benard, late 18th century, after an engraving by M. Vandergucht after W. Cowper, 1702, after a preparation by G. Leoni, c. 1645.
  • An octave for Mr Ernest Hart at Sir Henry Thompson's house. Oil painting by Solomon Joseph Solomon R.A., ca. 1893.
  • An octave for Mr Ernest Hart at Sir Henry Thompson's house. Oil painting by Solomon Joseph Solomon R.A., ca. 1893.
  • An octave for Mr Ernest Hart at Sir Henry Thompson's house. Oil painting by Solomon Joseph Solomon R.A., ca. 1893.
  • An octave for Mr Ernest Hart at Sir Henry Thompson's house. Oil painting by Solomon Joseph Solomon R.A., ca. 1893.
  • An octave for Mr Ernest Hart at Sir Henry Thompson's house. Oil painting by Solomon Joseph Solomon R.A., ca. 1893.
  • The human venous and arterial systems. Engraving, after engravings by M. Vandergucht after W. Cowper of 1702 and 1707.
  • A surgeon-apothecary shouts back from an open window at a request for a night-visit to a patient, sending pot plants and a cat flying. Coloured aquatint by H. Pyall after M Egerton (Ego), 1827.
  • A head containing over thirty images symbolising the phrenological faculties. Wood engraving, c. 1845, after O.S. Fowler (?).
  • The trunks of the vena cava, with their branches(Table VI, fig. 1); the trunks of the vena porta (Table VI, fig. 2), both after an engraving by M. Vandergucht after W. Cowper, 1702, after a preparation by G. Leoni, c. 1645; the brain, nerves and spine, after Eustachius, by 1552 (Table VII) Etching by I. Basire, 1743.
  • Richard Russell, physician at Brighton. Watercolour by Henry Wilkin after Benjamin Wilson.
  • Two women comforting a boy while a monk sits beside in despair. Wood engraving after Jessie MacGregor, 1872.
  • Jean Misaubin and his family. Gouache painting by Joseph Goupy, 172-.
  • Jean Misaubin and his family. Gouache painting by Joseph Goupy, 172-.
  • A Quaker family are sitting at the dinner table and the father has his hands together as he gives thanks for the food. Mezzotint by Charles G. Lewis after Alexander Fraser.
  • John Coakley Lettsom, physician, with his family, in the garden of Grove Hill, Camberwell.
  • Vases of flowers and a botanic garden with Saint Peter. Oil painting by O'Brien.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A blind girl reads the Bible by touch to her illiterate family in the dark; one man is tempted to go out and enjoy drunken revels in the daylight; representing light and darkness of the understanding. Engraving by W. Ridgway, 1871, after G. Smith.
  • A series of engravings, explaining the course of the nerves / By Charles Bell.
  • A series of engravings, explaining the course of the nerves / By Charles Bell.
  • A series of engravings, explaining the course of the nerves / By Charles Bell.
  • A series of engravings, explaining the course of the nerves / By Charles Bell.
  • A series of engravings, explaining the course of the nerves / By Charles Bell.
  • Royal College of Physicians, Warwick Lane, London: the courtyard. Engraving.