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50 results
  • Institut für Geschichte der Medizin, Vienna: anatomical wax models, urns, etc. of the Josephinum in storage awaiting completion of the refurbishment. Photograph, 1964.
  • A foetus and placenta with umbilical cord. Engraving, 1686, the second, third, fifth and sixth figures after G. de Lairesse, 1685.
  • Muscles of the face and neck. Engraving, 1686.
  • A man holding an écorché statuette. Oil painting.
  • A man holding an écorché statuette. Oil painting.
  • A man holding an écorché statuette. Oil painting.
  • A man holding an écorché statuette. Oil painting.
  • A man holding an écorché statuette. Oil painting.
  • An écorché seen from the back. Red-chalk drawing, 17th century.
  • An écorché with a raised left arm seen from the back; studies of the muscles of the right and left thighs, seen from the front. Red-chalk drawing, 17th century, after L. Cigoli.
  • The muscles of the suspended right arm, seen from the front. Red-chalk drawing, 17th century.
  • The muscles of the suspended right arm, seen from the front. Red-chalk drawing, 17th century.
  • The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century.
  • The muscles of the suspended right arm and upper right shoulder, seen from the back. Red-chalk drawing, 17th century.
  • Anatomical figure: posterior view of the écorché figure in the anatomy theatre at Bologna. Etching by A. Cattani, 1780-1781, after E. Lelli.
  • An écorché seen from the back. Red-chalk drawing, 17th century.
  • The muscles of the raised left arm and of the upper left shoulder, seen from the front. Red-chalk drawing, 17th century.
  • The trunk of an écorché seen from the back. Red-chalk drawing, 17th century.
  • A wax model of the brain and head (figs 1-2) by F. La Croix after G. Duverney and a wax model of a section of the brain made by Russel, "chirurgien major des Gardes-du-corp" (fig. 3) Engraving by Moitte after J. de Sève, 1749.
  • A cobbler sits on a stool in front of a wooden jointed figure which he has created in order to give himself respect. Engraving by J. Neagle after H. Singleton.