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112 results
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Krsna enchants the natural and human worlds with his flute. Standing in the tribhangi or 'three bends' posture, Krsna plays the flute as enchanted gopis, cattle, and birds look on. A clump of trees act as a sheltering umbrella, the symbol of gods and kings in Indic iconography.
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • The narrative setting of the mahatmyas. Laksmi asks Visnu about the greatness of the Bhagvadgita as he reclines on the serpent Sesanaga in the cosmic ocean. The four headed god Brahma is seated on the lotus that emerges from Visnu's navel. The scalloped arch and rolled-up curtain at the yop of the picture evoke the symbols of temple icons
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Visnu
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Shiva and Parvati riding on Nandi
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Panjabi Manuscript 255
  • Varaha avatara of Visnu.
  • Visnu
  • Balarama, Subhadra and Jagannath in the temple at Puri, with many human and sacred figures, buildings and animals. Oil painting by a painter of Puri, Orissa, ca. 1880/1910.