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  • A queen chess piece next to a condom on a chess board with the diagonal statement in Spanish 'Queen takes control'; advertising the danger of AIDS. Colour lithograph by Ana Busto/Caterina Borelli, ca. 1994.
  • Three marble vases. Etching by G.B. Piranesi, ca. 1770.
  • King Charles VIII of France visiting the deathbed of Gian Galeazzo Sforza at the Palazzo Ducale, Pavia, 1494. Engraving by G. Beretta after P. Palagi.
  • Two devils in a laboratory produce statutes with the help of a genie; showing the repressive nature of the government of France under Louis-Philippe, especially concerning the freedom of the press. Lithograph by E. Le Poittevin, 1831.
  • A woman personifying France (?) rescuing a baby from the tentacles of an octopus representing tuberculosis. Colour lithograph by L. Cappiello, ca. 1922.
  • A cartoon figure of a man with a moustache with 4 speech bubbles above his head containing images of women with the label 'Adventurer' in Spanish; an advertisement for the fight against AIDS by Prisa, OPS/OMS, Sespas and Procets. Colour lithograph, ca. 1997.
  • A cast of a rabbit with a hole in the middle and one ear missing appearing to float within a neutral background; advertising the danger of AIDS. Colour lithograph by Liliana Porter, [1995].
  • An injection against croup at the Hôpital Trousseau, Paris. Lithograph by E. Buval after P.A.A. Brouillet.
  • An injection against croup at the Hôpital Trousseau, Paris. Lithograph by E. Buval after P.A.A. Brouillet.
  • The muscles of the face and of the eye. Colour mezzotint by A. E. Gautier d'Agoty after himself, 1773.
  • The muscles of the face and of the eye. Colour mezzotint by A. E. Gautier d'Agoty after himself, 1773.
  • Muscles and bones of the hand. Colour mezzotint by A. E. Gautier d'Agoty after himself, 1773.
  • Muscles of the sole of the foot. Colour mezzotint by A. E. Gautier d'Agoty after himself, 1773.
  • Muscles and bones of the head and neck. Colour mezzotint by A. E. Gautier d'Agoty after himself, 1773.
  • Salpêtrière hospital, Paris: Philippe Pinel freeing the insane from their chains. Oil painting by T. Robert-Fleury, ca. 1876.
  • Salpêtrière hospital, Paris: Philippe Pinel freeing the insane from their chains. Oil painting by T. Robert-Fleury, ca. 1876.
  • Salpêtrière hospital, Paris: Philippe Pinel freeing the insane from their chains. Oil painting by T. Robert-Fleury, ca. 1876.
  • Salpêtrière hospital, Paris: Philippe Pinel freeing the insane from their chains. Oil painting by T. Robert-Fleury, ca. 1876.
  • Salpêtrière hospital, Paris: Philippe Pinel freeing the insane from their chains. Oil painting by T. Robert-Fleury, ca. 1876.
  • Salpêtrière hospital, Paris: Philippe Pinel freeing the insane from their chains. Oil painting by T. Robert-Fleury, ca. 1876.
  • The muscles of the human body, third layer, seen from the back; the figure balances a club with his right hand and stands before a wall of stone blocks. Colour mezzotint by L. Gautier d'Agoty after A. E. Gautier d'Agoty, 1773.
  • The muscles of the human body, second layer, seen from the back. Colour mezzotint by A. E. Gautier d'Agoty after himself, 1773.
  • The muscles of the human body, third layer, seen from the back; the figure balances a club with his right hand and stands before a wall of stone blocks. Colour mezzotint by L. Gautier d'Agoty after A. E. Gautier d'Agoty, 1773.
  • The muscles of the human body, fourth layer, seen from the front. Colour mezzotint by A. E. Gautier d'Agoty after himself, 1773.
  • The muscles of the human body, first layer, seen from the back. Colour mezzotint by A. E. Gautier d'Agoty after himself, 1773.
  • Silenus holding the infant Bacchus. Crayon manner print by J.F. Cazenave after Eugène Bourgeois.
  • A physiological demonstration with vivisection of a dog. Oil painting by Emile-Edouard Mouchy, 1832.
  • A physiological demonstration with vivisection of a dog. Oil painting by Emile-Edouard Mouchy, 1832.
  • A physiological demonstration with vivisection of a dog. Oil painting by Emile-Edouard Mouchy, 1832.
  • A monkey wearing spectacles reads the Times newspaper, with the Examiner under his arm, sitting beside a globe. Etching by T. Landseer, 1827.