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  • Mesmeric therapy. Oil painting by a French (?) painter, 1778/1784.
  • Mesmeric therapy. Oil painting by a French (?) painter, 1778/1784.
  • A map of the area of Villcabamba, Ecuador, illustrated with buildings, rivers, people, animals and flowering plants and trees. Watercolour.
  • A human anatomical figure. Drawing, Nepalese, ca. 1800 (?).
  • A human anatomical figure. Drawing, Nepalese, ca. 1800 (?).
  • Henry Addington, Viscount Sidmouth, as a doctor admitting that he mislabelled medicine bottles; referring to misgovernment of Ireland and Scotland. Pencil drawing, ca. 180-.
  • Interior of a surgery with two operators, one letting blood from a man's arm, the other giving treatment to a man's back. Oil painting by a follower of David Teniers the younger.
  • Interior of a surgery with two operators, one letting blood from a man's arm, the other giving treatment to a man's back. Oil painting by a follower of David Teniers the younger.
  • Interior of a surgery with two operators, one letting blood from a man's arm, the other giving treatment to a man's back. Oil painting by a follower of David Teniers the younger.
  • Interior of a surgery with two operators, one letting blood from a man's arm, the other giving treatment to a man's back. Oil painting by a follower of David Teniers the younger.
  • Interior of a surgery with two operators, one letting blood from a man's arm, the other giving treatment to a man's back. Oil painting by a follower of David Teniers the younger.
  • Interior of a surgery with two operators, one letting blood from a man's arm, the other giving treatment to a man's back. Oil painting by a follower of David Teniers the younger.
  • Interior of a surgery with two operators, one letting blood from a man's arm, the other giving treatment to a man's back. Oil painting by a follower of David Teniers the younger.
  • Two devils in a laboratory produce statutes with the help of a genie; showing the repressive nature of the government of France under Louis-Philippe, especially concerning the freedom of the press. Lithograph by E. Le Poittevin, 1831.
  • Wellcome Tibetan 69, folio 126 recto.
  • [Wellcome MS Persian 474].
  • [Wellcome MS Persian 474].
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • Sequah on Clapham Common. Oil painting, ca. 1890.
  • I.D. Waterman, seated, cross-legged, holding a carte de visite photograph. Photograph by C.W. Terpening, 1876.
  • I.D. Waterman, seated, cross-legged, holding a carte de visite photograph. Photograph by C.W. Terpening, 1876.
  • The muscles of the left leg, seen from the front, and the bones and muscles of the right leg seen in right profile, and between them, a patella. Drawing by Michelangelo Buonarroti, ca. 1515-1520.
  • The muscles of the left leg, seen from the front, and the bones and muscles of the right leg seen in right profile, and between them, a patella. Drawing by Michelangelo Buonarroti, ca. 1515-1520.
  • The muscles of the left leg, seen from the front, and the bones and muscles of the right leg seen in right profile, and between them, a patella. Drawing by Michelangelo Buonarroti, ca. 1515-1520.