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  • Fifteen different species of lichen. Coloured etching by J. Pass, c. 1813.
  • Twelve different species of lichen. Coloured etching by J. Pass, c. 1813.
  • A plant (Lambertia formosa): flowering stem. Coloured etching by J. Pass, c. 1813.
  • A flowering pepperwort plant (Lepidium species) with a cup fungus, two silverfish, a fish larva and wood-beetle. Coloured etching by J. Pass, c. 1813.
  • A flowering orchid (Bletia verecunda) and a spinning slug (Limax species). Coloured etching by J. Pass, c. 1813.
  • Honeysuckle or woodbine (Lonicera periclymenum): flowering stem and floral segments. Etching by J. Pass, c. 1814.
  • Henna plant (Lawsonia inermis): flowering stem. Coloured etching by J. Pass, c. 1813.
  • A dehiscing puffball (Lycoperdon species) and four types of clubmoss (Lycopodium species). Coloured etching by J. Pass, c. 1815.
  • Two flowering plants: a knot grass (Illecebrum species) and star anise tree (Illicium verum). Coloured etching, c. 1811.
  • Ann, Francis and Stanley Burroughs, the three children of Olive and Silas Mainville Burroughs
  • An iris (Iris persica), a fungus (Isaria species) and quillwort (Isoetes species) Coloured etching by J. Pass, c. 1811.
  • Mountain laurel or calico bush (Kalmia latifolia): flowering stem. Coloured etching by J. Pass, c. 1811.
  • A spiked rush (Juncus spicatus) and millipede (Iulus species) with anatomical detail. Coloured etching by J. Pass, c. 1811.
  • Arteries of the foot. Coloured lithograph by William Fairland, 1837, after G. Swandale after W.J.E. Wilson.
  • Arteries of the leg. Coloured lithograph by William Fairland, 1837, after G. Swandale after W.J.E. Wilson.
  • Sixteen faces expressing the human passions. Coloured engraving by J. Pass, 1821, after C. Le Brun.
  • A profile of an old mentally disabled man, skulls of various races, skulls of a monkey and an orangutan, and a perfect, diagrammed human face; demonstrating the methods of physiognomy. Coloured engraving by H. Adlard, 1824.
  • Sixteen faces expressing the human passions. Coloured engraving by J. Pass, 1821, after C. Le Brun.
  • A profile of a man bisected with a curve for measuring the brain, skulls of a Turk (top right), a Georgian woman (bottom left) and a Caribbean (bottom right). Coloured engraving by H. Adlard, 1824.
  • The human head, divided according to the system of phrenology. Coloured lithograph by C. Ingrey, 1824.
  • A goddess sits among a crowd of mythological figures with musical instruments and weapons; representing mineralogy. Coloured stipple engraving by J. Chapman, 1817.
  • Four faces: a European, a Mongolian, an Ethiopian, and a profile of Samuel Johnson; three frontal silhouettes; three skulls of the same races seen from above (in the order European, Ethiopian and Mongolian). Coloured engraving by J. Pass, 1824.
  • A chariot bearing Aesculapius rides above suffering humanity: representing pathology. Etching by J. Chapman, 1823, after A.D. Macquin.
  • The Hospital of Bethlem [Bedlam], St. George's Fields, Lambeth. Coloured engraving by J. Pass.
  • Freemason's Charity for Female Children, Southwark, London: facade. Coloured etching by J. Pass after himself, 1814.
  • An old man rests his head on his hand; cherubs play in a room filled with mechanical instruments; representing mechanical philosophy (or 18th century physics). Stipple engraving by J. Chapman, 1816.
  • Technology: section and elevation of the Bramah and Marshall locks. Coloured engraving by J. Pass, 1813.
  • Antoine Laurent Lavoisier. Coloured stipple engraving by J. Chapman, 1812, after J. L. David.
  • Nymphs in a field among cornucopias; workers scythe wheat; representing horticulture and agriculture. Stipple engraving by J. Chapman, c. 1810, after H. Corbould.
  • Antoine Laurent Lavoisier. Coloured stipple engraving by J. Chapman, 1812, after J. L. David.