Wellcome uses cookies.

Read our policy
Skip to main content
65 results
  • Court hearing of a dispute in which a doctor refuses to pay his tailor for some unsatisfactory breeches. Coloured etching by T. Rowlandson, 1802, after G.M. Woodward.
  • Dr. Flannel suggests to a fashionable lady that she wear a flannel petticoat to keep her legs warm. Coloured etching by I. Cruikshank, 1807?, after G.M. Woodward.
  • Court hearing of a dispute in which a doctor refuses to pay his tailor for some unsatisfactory breeches. Coloured etching by T. Rowlandson, 1802, after G.M. Woodward.
  • A farmer telling his family, a doctor, a vicar and a lawyer his last will and testament. Coloured etching by H.W. Bunbury, 1809?, after G.M. Woodward.
  • An itinerant doctor, by a subterfuge, cures an undergraduate hoaxer of his supposed maladies of lying and bad memory. Coloured etching by T. Rowlandson, 1807, after G.M. Woodward.
  • Four doctors discussing the case of Sir Toby Bumper, while he is recovering in bed from too much alcohol. Coloured etching by I. Cruikshank, 1807, after G.M. Woodward.
  • An itinerant doctor, by a subterfuge, cures an undergraduate hoaxer of his supposed maladies of lying and bad memory. Coloured etching by T. Rowlandson, 1807, after G.M. Woodward.
  • Four doctors discussing the case of Sir Toby Bumper, while he is recovering in bed from too much alcohol. Coloured etching by I. Cruikshank, 1807, after G.M. Woodward.
  • A new apothecary's shop open for business, with parody advertisements for different potions; representing the remedies required for different professions and social types. Coloured etching after G.M. Woodward, 1802.
  • A new apothecary's shop open for business, with parody advertisements for different potions; representing the remedies required for different professions and social types. Coloured etching after G.M. Woodward, 1802.
  • A new apothecary's shop open for business, with parody advertisements for different potions; representing the remedies required for different professions and social types. Coloured etching after G.M. Woodward, 1802.
  • A new apothecary's shop open for business, with parody advertisements for different potions; representing the remedies required for different professions and social types. Coloured etching after G.M. Woodward, 1802.
  • An apothecary praying for a host of illnesses to descend on his customers so that he can make more money. Coloured etching by T. Rowlandson, 1801, after G.M. Woodward.
  • Two disabled veteran sailors, employed by an admiral as messengers, delivering a letter to the servant at the front door of a town-house. Coloured etching after G.M. Woodward, 1790.
  • A lady retiring to bed, and ordering her maid to look after her artificial aids to beauty (wig, teeth, glass eye etc.). Coloured etching by P. Roberts after G.M Woodward.
  • A pair of obese gouty men in night-caps gaping at a fly in fear that it may land on a gouty limb. Coloured etching by I. Cruikshank, 1796, after G.M. Woodward.
  • A sailor, proposed as a member of a society in which masks are worn at meetings, makes enquiries to its chairman using nautical vocabulary. Lithograph by C.J.W. Winter after G.M. Woodward.
  • An Oxford University proctor wearing a wig and carrying a cane looks through a quizzing glass at a flowerpot shown to him by a gardener. Pen and ink drawing by or after G.M. Woodward.
  • A large woman and a small dog relieving themselves in a bush; a woman standing to the left attempts to assist by shielding the woman with a large fan. Coloured etching by R. Hixon, 1800, after G.M. Woodward.
  • A lecturer (William Kitchiner?) about to address a lecture on optics with the aid of candles, a telescope and magic lantern to a seated audience, he is interrupted by a Kentish hop merchant. Coloured etching, 1809, after G.M. Woodward.
  • A medicine vendor kneeling and praying. Coloured etching by
  • The ghost of the revolutionary politician Mirabeau giving an address. Coloured etching, 1791.
  • Four conversations in which one speaker annoys the other. Coloured etching, 1800.
  • A fat parson with large glass of port in hand is watched by a thin, naked man representing care (worry), and tells him to be gone. Coloured etching after G. Woodward, 1796.
  • Four conversations in which one speaker annoys the other. Coloured etching, 1800.
  • Georgian gentlemen smoking, drinking and reading newspapers at their club. Coloured aquatint by John Caspar Ziegler after George Moutard Woodward, published by William Holland, 1798.
  • Georgian gentlemen smoking, drinking and reading newspapers at their club. Coloured aquatint by John Caspar Ziegler after George Moutard Woodward, published by William Holland, 1798.
  • Men and women are sitting in coaches holding on to the straps. Etching by Cruikshank after Woodward.
  • A monk is asleep in his chair dreaming of being offered food and wine by young women. Etching by Cruikshank after Woodward.
  • Two elderly women in bed, disturbed from sleep by a nightmare vision of "The monster" (R. Williams), 1790. Drawing.