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  • A face expressing hatred or jealousy. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • An écorché figure, seen from behind, as if suspended. Crayon manner print by Lavalée, after J. Gamelin, 1778/1779.
  • Saint Paul and Saint Peter. Colour crayon manner print by F. Bartolozzi after G.F. Barbieri, il Guercino.
  • An écorché figure, lying on its side: foreshortened view. Crayon manner print by J. Gamelin after himself, 1779.
  • The head of a young Franciscan monk. Colour crayon-manner print by F. Bartolozzi, 1796, after Annibale Carracci.
  • A woman whose face expresses sadness. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • A male face expressing moderate pain. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • A bearded man whose face expresses horror. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • A bearded man whose face expresses horror. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • A seated male nude with right leg stretched out. Crayon manner print by J. Whessell, 1803, after J. Barney.
  • A young woman stands with a sheep by her side. Crayon manner print by Gilles Demarteau after F. Boucher.
  • The dead Christ is lamented by his mother and disciples. Crayon-manner print by A. Leroy, 1853, after Raphael.
  • Two écorché figures, one lying on top of the another. Crayon manner print by Lavalée after J. Gamelin, 1778/1779.
  • Saint Francis of Assisi holding the Christ Child. Crayon-manner print by C. Josi after Sir P.P. Rubens.
  • A profile expressing a state of attention. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • A seated male nude with right leg stretched out. Crayon manner print by J. Whessell, 1803, after J. Barney.
  • A standing écorché figure, seen from behind, showing the skeleton. Crayon manner print by J. Gamelin after himself, 1779.
  • A seated écorché figure, shown with crossed arms and feet. Crayon manner print by Lavalée, after J. Gamelin, 1778/1779.
  • A bearded man selling razors to a farmer. Crayon manner print by J.J. Jenkins after Peter Pindar (John Wolcot).
  • The face of a bearded man expressing anger. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • Prometheus bound to a rock, his liver eaten by an eagle. Crayon manner print by Lucien after P.T. Leclerc.
  • A face with hair on end expressing despair. Crayon Manner print by W. Hebert, c. 1770, after C. Le Brun.
  • A female figure expressing admiration touched with astonishment. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • Saint Mary (the Blessed Virgin) with the Christ Child. Colour crayon-manner print by W. Baillie, 1773, after L. Sabbatini.
  • A standing écorché figure holding a club, shown leaning to the side. Crayon manner print J. Gamelin after himself, 1779.
  • An écorché figure, shown from head to buttock, seen from behind. Crayon manner print by Lavalée, after J. Gamelin, 1778/1779.
  • A woman with bulging eyes, expressing desire through her face. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • Four écorché figures, showing the deep muscles of the axial skeleton (torso), hands and feet. Crayon manner print by J. Gamelin, 1778/1779.
  • Nicholas-Joseph Marcassus, Baron de Puymaurin (1718-1791): oval head and shoulders portrait. Crayon manner print by Lavalée after J. Gamelin, 1779.
  • Bones of the lower leg and of the foot and the knee joint. Crayon manner print attributed to G. Smith, 18th century.