Wellcome Collection is on the Euston Road in central London, close to Euston station. You can get here by train to Euston, or by Tube to Euston, Euston Square or King’s Cross station. You can also get here by bus. Find out more about transport on our Getting here page.
A taxi will be able to drop you off outside our main entrance. If you have a Blue Badge you can park your vehicle in our basement car park, accessible from Gower Place. If you need assistance, a member of our staff may be able to collect you from Euston Square Tube station (pictured below) and accompany you to our building.
Our building is a large building, with banners saying “Wellcome Collection” on it. The main entrance is in the middle, at the front of the building. It is free to enter, and all our galleries and exhibitions are free; there is no need to book a ticket. Our exhibitions are open every day of the week except Mondays. You can find our complete opening hours on our Opening times page.
When you enter the building, there is a short flight of steps or a wheelchair lift up to the ground level, where there is a café, a bookshop and the Information Point. A member of our security team may ask to search your bag when you enter.
The entrance is bright and can sometimes be noisy and busy. There is a quieter space next to the spiral staircase.
Members of our Visitor Experience Team will be at the Information Point, and work throughout the building. They wear black tops with the words “Ask me” on them. You can ask them for directions or assistance at any time.
There is step-free and level access to all floors of our building via lifts. There is a wheelchair lift at the entrance, which a member of our staff can help you use.
You can get around the building using the stairs and lifts. The café, bookshop and a temporary exhibition gallery (which is sometimes closed between exhibitions) are on level 0. There are two permanent galleries (which are open all the time) and another temporary exhibition gallery on level 1. The Reading Room is on level 2: this is usually a quiet space, but there are occasional events. Find out more about which exhibitions are open when you visit on our What’s on page.
There are accessible toilets on all floors of the building. A Changing Places toilet with a hoist and room for carers is available on level 0. You can get a key for the Changing Places toilet from the Information Point.
There will be occasional announcements that can be heard throughout the building. These can be quite loud. They are usually to let you know about tours of the galleries or other special events, which you can attend if you wish. If there is a fire alarm and you have to leave the building, this will be clearly stated, and members of our Visitor Experience Team will help you.
Being Human is a permanent gallery on level 1. There are several entrances, and you can get to it using the large spiral staircase, or the lifts and stairs in the central stairwell.
Being Human is about what it means to be human today. There are four sections: Genetics, Minds & Bodies, Infection, and Environmental Breakdown. The gallery contains about 50 artworks and scientific objects that raise questions about our health, our identity and who we trust in a changing world.
Most people will spend 30 to 45 minutes in the gallery, but you can spend as much or as little time here as you like. There are four sections, but you can see right across the gallery, and pick out the things that interest you. There is no set order in which you have to look at things. You can leave and re-enter through any of the exits at any time.
The gallery is a single room. It’s not too dark, and there are windows through which you can see the road and trees outside. There are lots of places to sit down, and plenty of space for groups and wheelchair users to move around and between the exhibits.
Every object has a caption describing it. The title of each object is also available in Braille. Each caption also has a number, which you can use to access BSL captions and audio descriptions for the object.
There is a shelf with extra resources to improve the accessibility of the gallery. These include large-print guides, a tactile plan of the gallery, a tactile book, devices with BSL captions, and devices with audio descriptions. They all use the object number and title to help you find the relevant information. These are all free for you to pick up and use, and you can choose whether you want to use them or not.
You can touch some of the objects that are not in glass cases. The objects you are not allowed to touch are clearly labelled “Please do not touch”. Some objects have touch tiles next to the captions, which allow you feel what the texture or shape of the object is like without touching the object itself.
There are also some objects you can handle. You can select music on a jukebox, press buttons to light up organs on an anatomical model, and rearrange the small objects on the desk.
Two objects have a specific smell: ‘Resurrecting the Sublime’ smells of an extinct flower; and ‘5138008’ smells of breast milk (but doesn’t contain any actual milk). The smell is only present when you are very close or touch the objects.
There is a section about infection, which is quite self-contained and easily avoided. In this section there are some objects made of HIV-infected human blood in one of the display cases. These have been through a process that has rendered them inert: they are completely safe. There is also a display about do-it-yourself faecal transplants, but the kit on display has not been in contact with any human waste!
Some exhibits have sound. In most cases you can listen by picking up an audio handset. Three objects play the sound out loud in the gallery, but it’s limited to a small area. You can tell where this area is by the speakers hanging from the ceiling overhead.
Many objects in the gallery represent a variety of different human bodies and faces. Some include nudity and references to sex. There is a transparent anatomical model made entirely of plastic and wires. There is a mannequin dressed in personal protective equipment, including a helmet. There is a plastic mask of an imagined human face, which you might find slightly uncanny.
Other things that you might like or find interesting in the gallery include a gene-editing kit, an intricate paper sculpture of the bacteria in your gut, an interactive jukebox that plays songs about infectious diseases, and a sculpture of a refugee astronaut.
Things in the gallery that you might find relaxing include a desk that you can sit at, a fish tank, a film of a McDonald’s restaurant slowly filling with water, and an installation that appears at first to be a blank panel but will eventually tell you that “EVERYTHING IS OKAY”.