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  • William Pitt the younger places the dome of St Paul's Cathedral over Lincoln Cathedral; representing Pitt's appointment of George Pretyman (Bishop of Lincoln) as also dean of St Paul's. Etching attributed to J. Gillray, 1787.
  • Three people drinking punch as a cure for (right to left) gout, colic, and phthisis. Coloured etching by J. Gillray, 1799.
  • Edward Jenner vaccinating patients in the Smallpox and Inoculation Hospital at St. Pancras: the patients develop features of cows. Coloured etching by J. Gillray, 1802.
  • The wind has caught the umbrella of a man who is skating, causing him to collide with another man. Etching by J. Gillray, 1805.
  • Edward Jenner vaccinating patients in the Smallpox and Inoculation Hospital at St. Pancras: the patients develop features of cows. Coloured etching, 1803, after J. Gillray, 1802.
  • Messenger Monsey. Coloured etching by J. Gillray, 1789.
  • A fashionable mother wearing a dress with slits across the breasts in order to feed her baby before she dashes off to the carriage waiting outside. Coloured etching by J. Gillray, 1796.
  • A man standing by a fire place, pulling a peculiar face after taking some medicine. Coloured etching by J. Gillray, 1800.
  • The coming-on of the monsoons;-or-the retreat from Seringapatam.
  • A man standing by a fire place, pulling a peculiar face after taking some medicine. Coloured etching by J. Gillray, 1800.
  • Charles James Fox, dangerously ill, visited by an entourage of interested factions; representing the social and ministerial conflict surrounding him. Aquatint after J. Gillray, 1806.
  • A triumphant American slave woman representing quassia (ingredient in acoholic drinks) is carried aloft by two brewers; representing the outcry against a tax on private brewing (?). Etching by J. Gillray, 1806.
  • A voluminous woman crossing a bush in a circle of foliage to get to a latrine; perhaps representing Garnerin's London balloon flights of the time. Etching by J. Gillray, 1802.
  • Admiral Rodney stands between Britannia and Neptune. Etching by J. Gillray, 1782.
  • A man suddenly awakened by two squalling cats. Coloured etching by J. Gillray, 1806.
  • A tooth-drawer extracting a tooth from a patient who is in such pain that he pulls the tooth-drawer's wig off. Coloured etching after J. Gillray (?).
  • William Pitt the younger as an alchemist using a crown-shaped bellows to blow the flames of a furnace and heat a glass vessel in which the House of Commons is distilled; representing the dissolution of parliament by Pitt. Coloured etching by J. Gillray, 1796.
  • A lecture on pneumatics at the Royal Institution, London. Coloured etching by J. Gillray, 1802.
  • An operator treating the carbuncled nose of an obese patient with "Perkins's tractors". Coloured aquatint after J. Gillray, 1801.
  • A man and a woman, both wearing enormous hats. Etching by J. Gillray.
  • An operator treating the carbuncled nose of an obese patient with "Perkins's tractors". Coloured aquatint after J. Gillray, 1801.
  • John Montagu, 5th Earl of Sandwich, is following a young woman who is pushing a barrow of carrots through the West End of London. Process print after J. Gillray.
  • The British military expedition against the Bruges-Ostend canal, 1798: Joseph Jekyll M.P provides two different reports on it by telegraph, using rolled-up newspapers as telescopes. Coloured etching by J. Gillray, 1798.
  • A tooth-drawer extracting a tooth from a patient who is in such pain that he pulls the tooth-drawer's wig off. Coloured etching after J. Gillray (?).
  • Lord North and Fox excreting into a pan bearing the Royal Arms, a little devil is mixing the stench between them; implying the appalling effects of the coalition government. Etching by J. Gillray, 1783.
  • William Pitt the younger as an alchemist using a crown-shaped bellows to blow the flames of a furnace and heat a glass vessel in which the House of Commons is distilled; representing the dissolution of parliament by Pitt. Coloured etching by J. Gillray, 1796.
  • A haggard old woman taking a large file to the corns on her feet. Coloured etching by J. Gillray, 1800, after himself.
  • Lady Charlotte Campbell reclining in a chair in front of a mirror: she is wearing a hat decorated with an enormous feather which she can see as she gazes at her reflection in the glass. Etching by J. Gillray, 1795.
  • An operator treating the carbuncled nose of an obese patient with "Perkins's tractors". Coloured aquatint after J. Gillray, 1801.
  • French savants huddled together at the top of a column, while a band of Bedouin Arabs set fire to it below; exaggerating the troubled experience of the 'Commission des Sciences et des Arts' during Napoleon's invasion of Egypt. Coloured etching by J. Gillray, 1799.