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  • Emblem representing the path to the philosopher's stone in alchemy. Etching by Defehrt, 1768, after L.-J. Goussier, after the frontispiece to a 17th century book by Libavius.
  • A putto with an arrow in his heart is asking a putto who is holding a urine flask for help; comparing love to medical treatment of a wound. Engraving, 16--.
  • Innocence attacked from four corners by "Iudex", "Persequutiō", "Avaritia" and "Invidia"; Justice looks down from above. Etching by C. Murer after himself, c. 1600-1614.
  • The Roman emperor Valens pours money into a coffer; an officer is arrested and led to prison. Etching by C. Murer after himself, c. 1600-1614.
  • Men worship an ass bearing a religious image; alluding to both Aesop's fable of the ass and idol worship in Arianism and contemporary Catholicism. Etching by C. Murer after himself, c. 1600-1614.
  • A bear overturns a barrel and is stung by bees; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • Birds attacking an owl resting upon a staff held by a naked woman; representing patience. Etching by C. Murer after himself, c. 1600-1614.
  • Allegorical figures hold up two scrolls, separated by a spider's web: one shows a straight line between "Charitas" and "Iustitia"; the other a crooked line between "Invidia" and "Avaritia". Etching by C. Murer after himself, c. 1600-1614.
  • The soul being refined like metal in a crucible by an angel, Satan, Venus and Death; representing a test of faith. Etching by C. Murer, ca. 1600-1614.
  • A man scatters seeds; representing the Biblical parable of the sower; here referring to the "ministry of the word", preaching. Etching by C. Murer after himself, c. 1600-1614.
  • A bird of prey prepares to swoop on a mouse and a frog in water; illustrating Aesop's fable of the frog and the mouse. Etching by C. Murer after himself, c. 1600-1614.
  • Feast scene representing hospitality; alluding to Abraham and the three angels. Etching by C. Murer after himself, c. 1600-1614.
  • A dog resting on a bull's straw; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • A fox talking to a chicken; representing a fable by Aesop on false friendship. Etching by C. Murer after himself, c. 1600-1614.
  • Truth represented as the word of God assailed by persecution, superstition, tradition, betrayal and violence. Etching by C. Murer after himself, c. 1600-1614.
  • A wealthy bürger refuses charity to an old couple. Etching by C. Murer after himself, c. 1600-1614.
  • A mouse nibbles through a net in which a lion is caught; illustrating Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • Two men walking above a city; representing harmony of religious or political states. Etching by C. Murer after himself, c. 1600-1614.
  • The soul being refined like metal in a crucible by an angel, Satan, Venus and Death; representing a test of faith. Etching by C. Murer, ca. 1600-1614.
  • An alchemist stoking a furnace, surrounded by well dressed onlookers: a banquet takes place in the background. Etching by C. Murer, ca. 1600-1614.
  • A prophet points to a cross which is leaking water; representing faith, the 'fountain of life'. Etching by C. Murer after himself, c. 1600-1614.
  • A stork impales a frog in a peaceful scene by a river; allegory of freedom. Etching by C. Murer after himself, c. 1600-1614.
  • A crane inserts its beak into the mouth of a wolf; illustrating Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • The prophet Elias fed by a raven; representing providence. Etching by C. Murer after himself, c. 1600-1614.
  • Foundling Hospital, London. Etching by H. Roberts, 1749, after J. Robinson after T. Jacobson.
  • A man presenting a votive offering to Saint Fermina as protector of navigators. Oil painting by an Italian painter.
  • A boy, dressed as Saint John the Baptist for a procession in Venice. Wood engraving by W. Hollidge after F.W.W. Topham, 1870.