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  • God stands in the centre of Eden; to the left he breathes life into Adam. Engraving by Scotin, c. 1765.
  • The fall; expelled from Eden, Adam and Eve raise a family and set to work. Engraving by Scotin, c. 1765.
  • Two dwarfs with their owner, a guard of the Raja of Patiala. Lithograph by L.C. Dickinson, 1844, after Emily Eden.
  • Surrounded by animals in the Garden of Eden, Eve ascends from Adam's side. Line engraving by J. Haeyler after C. van den Broeck.
  • A blinding light descends on Eden in the creation of man and the animals. Etching by J.E. Ridinger after himself, c. 1750.
  • Adam and Eve with the serpent and other animals in the garden of Eden. Engraving by C.J. Visscher after N. de Bruyn.
  • Adam and Eve expelled from Eden by an angel with a flaming sword. Line engraving by R. Sadeler after M. de Vos, 1583.
  • In the Garden of Eden, while the serpent curls around the tree of knowledge, Eve is about to taste the apple. Coloured etching, 17--.
  • The son of Nawaub of Banda seated on an oriental rug holding a sword within an ornate border. Lithograph by L.C. Dickinson, 1844, after Emily Eden.
  • Adam and Eve cover their nakedness as God makes his wrath felt in the Garden of Eden. Etching by J.E. Ridinger after himself, c. 1750.
  • The gates of Eden open to expel Adam and Eve, who stand caught in a terrified embrace. Aquatint by M. Haughton, 1805 after J.H. Füssli (Fuseli).
  • A Hindu man (sadhu) with long hair, cloak and walking stick stands by a rock from which water springs. Lithograph by L.C. Dickinson, 1844, after Emily Eden.
  • The angel Raphael appears among the animals in the garden of Eden to gaze upon Adam and Eve. Aquatint with etching by R. Pollard, 1792, after C. Metz.
  • Adam is standing in the garden of Eden looking up to the godhead while being surrounded by the animals of the creation. Coloured engraving by J. Pass after C. P. Marillier.
  • An anatomical depiction of the life and death of a foetus frames Adam alone in the Garden of Eden. Etching by J.A. Fridrich after J.D. Preissler and M. Füssli after C. Huyberts.
  • Adam in Eden, or nature's paradise. The history of plants, fruits, herbs, and flowers. With their several names, whether Greek, Latin or English ... as also their several signatures, anatomical appropriations, and particular physical vertues ... / By William Coles, herbarist.
  • Adam in Eden, or nature's paradise. The history of plants, fruits, herbs, and flowers. With their several names, whether Greek, Latin or English ... as also their several signatures, anatomical appropriations, and particular physical vertues ... / By William Coles, herbarist.
  • Adam in Eden, or nature's paradise. The history of plants, fruits, herbs, and flowers. With their several names, whether Greek, Latin or English ... as also their several signatures, anatomical appropriations, and particular physical vertues ... / By William Coles, herbarist.
  • A tortoise climbs up a female figure as she reaches out to a bird; in the background Adam and Eve are chased from Eden by the archangel Michael with his sword; representing the sense of touch. Engraving by N. de Bruyn after M. de Vos.
  • A man, lying on a rock, is looking down on a congregation of animals in an edenic garden. Coloured etching by J. Stewart and W. Warwick.
  • Bransby Blake Cooper. Photogravure of the mezzotint by W. H. Simmons after E. U. Eddis, 1842.
  • Peter Mark Roget. Lithograph by W. Drummond after E. U. Eddis.
  • Richard Taylor. Stipple engraving by A. Hicks after E. U. Eddis, 1846.
  • George Julius Poulett Scrope. Lithograph by J. S. Templeton, 1848, after E. U. Eddis.
  • Archibald Menzies. Lithograph after E. U. Eddis, 1835.
  • William Whewell. Lithograph by W. Drummond, 1835, after E. U. Eddis, 1835.
  • Peter Mark Roget. Stipple engraving by J. Cochran, 1839, after E. U. Eddis.
  • George Julius Poulett Scrope. Lithograph by J. S. Templeton, 1848, after E. U. Eddis.
  • Bransby Blake Cooper. Mezzotint by W. H. Simmons after E. U. Eddis, 1842.
  • William Whewell. Lithograph by E. U. Eddis, 1835.