concept

Two figures: a kneeling human skeleton, with hands tied behind its back, and an écorché figure tied to a tree-trunk. Engraving by Barlow, ca. 1800.

A man sits on a high chair in front of a table surrounded by others: they watch two men in the middle of the floor perform a ritual. Etching by J. Barlow, 1790, after S. Collings.

Ten faces expressing the human passions. Engraving by Barlow after C. Le Brun.

Custard apple (Annona triloba): fruiting and flowering branch and seed. Coloured etching by I. Barlow after J. Rysbrack.

Christ heals the man with the withered hand. Etching by J. Barlow, 1813, after W.M. Craig.

Farriery: seventeen figures including the anatomy of horses' hooves, a selection of horse-shoes, a horse suspended on a winching device, and apparatus for use in the tail 'nicking' procedure. Etching by J. Barlow, 1802.

Three men dance in the street as a crowd gathers on Blackfriars Bridge, London, to celebrate the destruction by fire of Albion Mills. Etching by J. Barlow, 1791, after S. Collings.

A monitor lizard. Coloured etching by Barlow after J. C. Keller.

A woman whose physiognomy expresses (according to Lavater) weakness, affectation and languor. Engraving by Barlow, 19th century, after J.M. Schmutzer.

Eight diagrams illustrating babies in the womb and internal structures of the womb. Etching by Barlow.

Christ raises the widow's son from the dead. Engraving by J. Barlow.

The Chelsea College: aerial view from the north with boats on the river. Engraving by I. Barlow, 1805.

An écorché horse: two side views, below, an illustration showing the muscles, above, an outline diagram of the same. Etching by J. Barlow, 1802.

Lightning pierces through the clouds, heralding the coming of Christ. Engraving by J. Barlow, 1813, after W.M. Craig.

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Christ raises the widow's son from the dead. Engraving by J. Barlow.

Two figures: a kneeling human skeleton, with hands tied behind its back, and an écorché figure tied to a tree-trunk. Engraving by Barlow, ca. 1800.

The Chelsea College: aerial view from the north with boats on the river. Engraving by I. Barlow, 1805.

An écorché horse: two side views, below, an illustration showing the muscles, above, an outline diagram of the same. Etching by J. Barlow, 1802.

Lightning pierces through the clouds, heralding the coming of Christ. Engraving by J. Barlow, 1813, after W.M. Craig.