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48 results filtered with: Barlow, Inigo
  • Two figures: a kneeling human skeleton, with hands tied behind its back, and an écorché figure tied to a tree-trunk. Engraving by Barlow, ca. 1800.
  • A man sits on a high chair in front of a table surrounded by others: they watch two men in the middle of the floor perform a ritual. Etching by J. Barlow, 1790, after S. Collings.
  • Ten faces expressing the human passions. Engraving by Barlow after C. Le Brun.
  • Custard apple (Annona triloba): fruiting and flowering branch and seed. Coloured etching by I. Barlow after J. Rysbrack.
  • Christ heals the man with the withered hand. Etching by J. Barlow, 1813, after W.M. Craig.
  • Farriery: seventeen figures including the anatomy of horses' hooves, a selection of horse-shoes, a horse suspended on a winching device, and apparatus for use in the tail 'nicking' procedure. Etching by J. Barlow, 1802.
  • Three men dance in the street as a crowd gathers on Blackfriars Bridge, London, to celebrate the destruction by fire of Albion Mills. Etching by J. Barlow, 1791, after S. Collings.
  • A monitor lizard. Coloured etching by Barlow after J. C. Keller.
  • A woman whose physiognomy expresses (according to Lavater) weakness, affectation and languor. Engraving by Barlow, 19th century, after J.M. Schmutzer.
  • Eight diagrams illustrating babies in the womb and internal structures of the womb. Etching by Barlow.
  • Optics: microscopy, including a magnified title page and a specimen holder. Engraving by Barlow.
  • Skeleton of a horse: side view. Etching by J. Barlow, 1802.
  • Two dissections of a horse's thorax and abdomen, seen from below, showing the internal organs and blood vessels. Etching by Barlow, 1802.
  • Horses' hooves, seen from below: four figures showing both perfect and contracted feet, demonstrating Mr. Coleman's 'artificial frog' for the preservation of horses' hooves. Etching by J. Barlow, 1802.
  • Two sea snakes with their tails in the air. Engraving by J. Barlow.
  • Groups of men sitting at tables smoking and having a merry time: one man has fallen to the floor and spilled his tankard of ale. Etching by J. Barlow, 1790, after S. Collings.
  • An écorché horse: two side views, below, an illustration showing the muscles, above, an outline diagram of the same. Etching by J. Barlow, 1802.
  • King James's College, Chelsea: bird's eye view looking south with boats on the river. Engraving by I. Barlow.
  • Astrology: the Oriental zodiac. Engraving by Barlow.
  • People in a boxing club having a fist-fight: the chairman in the middle holds up a gavel, and a woman hits a man over the head with a tankard. Etching by J. Barlow, 1789, after S. Collings.
  • A large wood mouse carrying its young on its back. Coloured etching by Barlow after J. E. Ihle.
  • Four écorché figures: upper left, the muscles of the back, upper right, the muscles of the face and neck, lower left and right, the thoracic and abdominal viscera. Engraving by Barlow, ca. 1800.
  • The Chelsea College: aerial view from the north with boats on the river. Engraving by I. Barlow, 1805.
  • Jeremiah is released from the stocks. Etching by J. Barlow, 1812, after W.M. Craig.
  • Seven diagrams illustrating difficult births, obstetrical instruments and a conjoined twin. Etching by Barlow.
  • The world as an egg: three cosmogonical figures. Etching by Barlow, 1795.
  • Eight diagrams illustrating babies in the womb in different positions about to enter the world. Etching by Barlow.
  • Lightning pierces through the clouds, heralding the coming of Christ. Engraving by J. Barlow, 1813, after W.M. Craig.
  • A Golden Eagle sitting on the branch of a dead tree. Etching by Barlow after Edwards.
  • Muscles, arteries and lymphatics of the arm and leg: eight écorché figures. Engraving by J. Barlow, 1802.