concept

Phrenological diagrams of the skull and brain, with three portraits: Laurence Sterne, a mathematician, and Shakespeare; exemplifying the faculties of wit, number and imagination respectively. Engraving by H. Sawyer after W. Byam, 1818.

When all aloud the wind doth blow... : winter and summer alike coughs, congestion and the common cold call for 'Actifed' products.

Phrenological chart with portraits of historical figures and illustrations of skulls exhibiting racial characteristics. Lithograph by G. E. Madeley, authored by C. Donovan, c. 1850.

William Shakespeare. Oil painting, 18--.

Phillip Stubbes's Anatomy of the abuses in England in Shakspere's youth, A.D. 1583 / edited by Frederick J. Furnivall.

Skeletons acting out phrases in James Thomson's "The seasons": fourteen scenes. Etching by H. J. Pidding, 1822.

Ages and stages of life : [calendar] 2003 / American Registry of Pathology.

The mad folk of Shakespeare : psychological essays / [Sir John Charles Bucknill].

The Shakespeare garden / by Esther Singleton ; with numerous illustrations from photographs and reproductions of old wood cuts.

Four centuries of Shakespeare publication / Giles E. Dawson.

Shakespeare's insomnia and the causes thereof / by Franklin H. Head.

Romeo giving money to an apothecary for a poison that will enable him to kill himself. Mezzotint, 17--.

Viola in Shakespeare's Twelfth night. Stipple engraving by W.H. Mote, 1836, after Meadows after W. Shakespeare.

Macbeth consults the three witches; an apparition appears of a bloody child, who calls Macbeth's name three times. Engraving by W. Byrne, 1773, after E. Edwards.

Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Painting after J.H. Füssli (Fuseli).

Macbeth meets the three witches; scene from Shakespeare's 'Macbeth'. Wood engraving, 19th century.

The Duke of Clarence is assailed by demons and taunted by a blood-soaked angel in a dream; an episode in Shakespeare's 'Richard III'. Engraving by J. Neagle, 1804, after T. Stothard.

Two witches tell Macbeth (representing the Earl of Bute) that he will be king and another, holding a noose, says he will be "Knight - the first that ever graced the Scottish annals". Etching, 1762.

Witchcraft: Macbeth seeing the three witches, with other horrifying visions. Etching after J. Reynolds, ca. 1786-1790, after W. Shakespeare.

Hamlet pointing to the ghost of his father and asking his mother the Queen if she can see it too; she replies not. Engraving by T. Phillibrown after J.K. Meadows.

Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Engraving by W. Bromley after J.H. Füssli (Fuseli).

Prospero's epilogue (abridged). Inscription by M. Birch, 1969, after W. Shakespeare.

Complete works of William Shakespeare.

An episode in The merry wives of Windsor: Sir John Falstaff is invited to a tryst in Windsor Forest at night, dressed in bizarre clothing: he is attacked by children dressed as fairies and by the merry wives. Stipple engraving by I. Taylor, 1795, after R. Smirke.

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Shakespeare, William, 1564-1616

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Two witches tell Macbeth (representing the Earl of Bute) that he will be king and another, holding a noose, says he will be "Knight - the first that ever graced the Scottish annals". Etching, 1762.

Prospero's epilogue (abridged). Inscription by M. Birch, 1969, after W. Shakespeare.

Macbeth and Banquo meet the three witches on a heath; scene from Shakespeare's 'Macbeth'. Painting after J.H. Füssli (Fuseli).

Complete works of William Shakespeare.

An episode in The merry wives of Windsor: Sir John Falstaff is invited to a tryst in Windsor Forest at night, dressed in bizarre clothing: he is attacked by children dressed as fairies and by the merry wives. Stipple engraving by I. Taylor, 1795, after R. Smirke.