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Jacob is taken to the cave in the field of Machpelah by a mournful procession; he wants to die in the spot bought by Abraham. Etching by L. du Guernier after L. Chéron.
Chéron, Louis, 1655-1725.Reference: 18340i
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A dissertation upon the chronological difficulties. Imputed to the Mosaic history, from the birth to the death of Jacob. By William Skinner, M. A. Vicar of Bosbury in Herefordshire.
Skinner, William, 1727 or 1728-1795.Date: MDCCLXV. [1765]
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Jacob (Israel) blesses Ephraim and Manasseh, watched by Joseph. Engraving by G. Presbury after J. Franklin.
Franklin, John, active 1800-1861.Date: 1838Reference: 27681i
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Thoughts upon several passages of Scripture, both in the Old and New Testament, relative to Jacob and Esau; with incidental excursions. By Philotheorus. [Four lines of Scripture texts]
Dexter, Samuel, 1726-1810.Date: MDCCXCI. [1791]
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Jacob finds rest in a rugged landscape: an angel appears to him in a dream. Etching by A.H. Payne after F. Bol.
Bol, Ferdinand, 1616-1680.Reference: 2819197i
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Jacob being persuaded to send Benjamin with his brothers on their return jorney to Egypt. Crayon-manner by W.W. Ryland after Sir A. van Dyck.
Van Dyck, Anthony, 1599-1641.Date: 1762Reference: 11676i
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Jacob meets Rachel and falls in love. Engraving by E. Jeaurat after P.F. Mola.
Mola, Pier Francesco, 1612-1666Date: 1729Reference: 20459i
Part of: Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France.
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Rachel approaches Jacob through a flock of sheep; one of the inhabitants of the land points her out as being Laban's daughter. Line engraving by F. Bartolozzi after W. Hamilton, 1791.
Hamilton, William, 1751-1801.Date: Jan. 31 1791Reference: 15896i
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Jacob and his uncle Laban are reconciled. Line engraving by P. Trière, 180-, after Gallier after Pietro da Cortona.
Pietro, da Cortona, 1597-1669.Date: 1800-1809Reference: 2851043i
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Episodes in the Old Testament. Engraving by M.T.
Reference: 20256i
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Jacob and Joseph with their sons in a half roundel in the Vatican. Engraving by A. Cunego (?) after A. de Angelis (?) after Michelangelo.
Michelangelo Buonarroti, 1475-1564.Reference: 20572i
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Jacob wrestles with the angel on a hilltop. Etching by R. Earlom, 1766, after S. Rosa.
Rosa, Salvatore, 1615-1673.Date: 1766Reference: 20518i
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Shepherds in a landscape (Jacob and Laban?). Colour aquatint with etching by M.K. Prestel, 1783, after Giulio Romano.
Romano, Giulio, 1499-1546.Date: [1777?]Reference: 2496777i
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Jacob finds rest in a rugged landscape and dreams of a ladder of angels. Etching by J. Goupy after S. Rosa.
Rosa, Salvatore, 1615-1673.Reference: 15895i
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The honour of Christ vindicated: or, a hue and cry after the bully, who assaulted Jacob in his solitude.
Date: 1732
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Jacob wrestles with the angel on a hilltop. Etching with aquatint by R. Earlom, 1766, after S. Rosa.
Rosa, Salvatore, 1615-1673.Date: 1766Reference: 20461i
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The birth of Benjamin and the death of Rachel. Oil painting after Francesco Furini.
Furini, Francesco, 1603-1646.Reference: 44819i
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Joseph's brothers show his coat, apparently soaked in his blood, to Jacob, who mourns. Etching.
Reference: 15909i
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Jacob offers bread and soup to an exhausted Esau, who has returned from hunting; to the left, angels move upon Jacob's ladder; to the right, the blind Isaac feels Jacob's disguised hands. Engraving by E. Kirkall after Skeitz.
Skeitz.Reference: 15889i
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Jacob dreams of the heavenly ladder; he consecrates with oil the spot where he slept; he meets Rachel, who is tending sheep in the vicinity of a Mesopotamian city. Woodcut by S.H., 1568, after V. Solis.
Solis, Virgil, 1514-1562.Date: [1568]Reference: 15893i
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Joseph tells his unsympathetic family about his two prophetic dreams. Line engraving by G. de Jode.
Reference: 15902i
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Jacob arrives among the shepherds of Haran; he falls in love with Rachel at first sight. Engraving by C.N. Cochin the elder, 1732, after F. Le Moine.
Le Moyne, François, 1688-1737.Date: 1732Reference: 15900i
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The blessing of Judah by Jacob, considered: the æra of Daniel's weeks ascertained; and the texts construed, Chap. IX. ver. 23-7. In two dissertations. By Julius Bate, A. M.
Bate, Julius, 1711-1771.Date: MDCCLIII. [1753]

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Jacob is taken to the cave in the field of Machpelah by a mournful procession; he wants to die in the spot bought by Abraham. Etching by L. du Guernier after L. Chéron.

A dissertation upon the chronological difficulties. Imputed to the Mosaic history, from the birth to the death of Jacob. By William Skinner, M. A. Vicar of Bosbury in Herefordshire.

Jacob (Israel) blesses Ephraim and Manasseh, watched by Joseph. Engraving by G. Presbury after J. Franklin.

Thoughts upon several passages of Scripture, both in the Old and New Testament, relative to Jacob and Esau; with incidental excursions. By Philotheorus. [Four lines of Scripture texts]

Jacob finds rest in a rugged landscape: an angel appears to him in a dream. Etching by A.H. Payne after F. Bol.

Jacob being persuaded to send Benjamin with his brothers on their return jorney to Egypt. Crayon-manner by W.W. Ryland after Sir A. van Dyck.

Jacob meets Rachel and falls in love. Engraving by E. Jeaurat after P.F. Mola.

Rachel approaches Jacob through a flock of sheep; one of the inhabitants of the land points her out as being Laban's daughter. Line engraving by F. Bartolozzi after W. Hamilton, 1791.

Jacob and his uncle Laban are reconciled. Line engraving by P. Trière, 180-, after Gallier after Pietro da Cortona.

Episodes in the Old Testament. Engraving by M.T.

Jacob and Joseph with their sons in a half roundel in the Vatican. Engraving by A. Cunego (?) after A. de Angelis (?) after Michelangelo.

Jacob wrestles with the angel on a hilltop. Etching by R. Earlom, 1766, after S. Rosa.

Shepherds in a landscape (Jacob and Laban?). Colour aquatint with etching by M.K. Prestel, 1783, after Giulio Romano.

Jacob finds rest in a rugged landscape and dreams of a ladder of angels. Etching by J. Goupy after S. Rosa.

The honour of Christ vindicated: or, a hue and cry after the bully, who assaulted Jacob in his solitude.

Jacob wrestles with the angel on a hilltop. Etching with aquatint by R. Earlom, 1766, after S. Rosa.

The birth of Benjamin and the death of Rachel. Oil painting after Francesco Furini.

Joseph's brothers show his coat, apparently soaked in his blood, to Jacob, who mourns. Etching.

Jacob offers bread and soup to an exhausted Esau, who has returned from hunting; to the left, angels move upon Jacob's ladder; to the right, the blind Isaac feels Jacob's disguised hands. Engraving by E. Kirkall after Skeitz.

Jacob dreams of the heavenly ladder; he consecrates with oil the spot where he slept; he meets Rachel, who is tending sheep in the vicinity of a Mesopotamian city. Woodcut by S.H., 1568, after V. Solis.

Joseph tells his unsympathetic family about his two prophetic dreams. Line engraving by G. de Jode.

Jacob arrives among the shepherds of Haran; he falls in love with Rachel at first sight. Engraving by C.N. Cochin the elder, 1732, after F. Le Moine.

The blessing of Judah by Jacob, considered: the æra of Daniel's weeks ascertained; and the texts construed, Chap. IX. ver. 23-7. In two dissertations. By Julius Bate, A. M.

Wellcome uses cookies.

Works search

Active filters:

Jacob is taken to the cave in the field of Machpelah by a mournful procession; he wants to die in the spot bought by Abraham. Etching by L. du Guernier after L. Chéron.

A dissertation upon the chronological difficulties. Imputed to the Mosaic history, from the birth to the death of Jacob. By William Skinner, M. A. Vicar of Bosbury in Herefordshire.

Jacob (Israel) blesses Ephraim and Manasseh, watched by Joseph. Engraving by G. Presbury after J. Franklin.

Thoughts upon several passages of Scripture, both in the Old and New Testament, relative to Jacob and Esau; with incidental excursions. By Philotheorus. [Four lines of Scripture texts]

Jacob finds rest in a rugged landscape: an angel appears to him in a dream. Etching by A.H. Payne after F. Bol.

Jacob being persuaded to send Benjamin with his brothers on their return jorney to Egypt. Crayon-manner by W.W. Ryland after Sir A. van Dyck.

Jacob meets Rachel and falls in love. Engraving by E. Jeaurat after P.F. Mola.

Rachel approaches Jacob through a flock of sheep; one of the inhabitants of the land points her out as being Laban's daughter. Line engraving by F. Bartolozzi after W. Hamilton, 1791.

Jacob and his uncle Laban are reconciled. Line engraving by P. Trière, 180-, after Gallier after Pietro da Cortona.

Episodes in the Old Testament. Engraving by M.T.

Jacob and Joseph with their sons in a half roundel in the Vatican. Engraving by A. Cunego (?) after A. de Angelis (?) after Michelangelo.

Jacob wrestles with the angel on a hilltop. Etching by R. Earlom, 1766, after S. Rosa.

Shepherds in a landscape (Jacob and Laban?). Colour aquatint with etching by M.K. Prestel, 1783, after Giulio Romano.

Jacob finds rest in a rugged landscape and dreams of a ladder of angels. Etching by J. Goupy after S. Rosa.

The honour of Christ vindicated: or, a hue and cry after the bully, who assaulted Jacob in his solitude.

Jacob wrestles with the angel on a hilltop. Etching with aquatint by R. Earlom, 1766, after S. Rosa.

The birth of Benjamin and the death of Rachel. Oil painting after Francesco Furini.

Joseph's brothers show his coat, apparently soaked in his blood, to Jacob, who mourns. Etching.

Jacob offers bread and soup to an exhausted Esau, who has returned from hunting; to the left, angels move upon Jacob's ladder; to the right, the blind Isaac feels Jacob's disguised hands. Engraving by E. Kirkall after Skeitz.

Jacob dreams of the heavenly ladder; he consecrates with oil the spot where he slept; he meets Rachel, who is tending sheep in the vicinity of a Mesopotamian city. Woodcut by S.H., 1568, after V. Solis.

Joseph tells his unsympathetic family about his two prophetic dreams. Line engraving by G. de Jode.

Jacob arrives among the shepherds of Haran; he falls in love with Rachel at first sight. Engraving by C.N. Cochin the elder, 1732, after F. Le Moine.

The blessing of Judah by Jacob, considered: the æra of Daniel's weeks ascertained; and the texts construed, Chap. IX. ver. 23-7. In two dissertations. By Julius Bate, A. M.