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Adam and Eve conceal their nakedness; in the distance they receive clothes from God. Line engraving by J. Haeyler after C. van den Broeck.

Reference

15594i

Adam and Eve in the Garden of Eden. Red chalk drawing.

Reference

33697i

Disce mori : Learne to die : A religious discourse, mouing euery Christian man to enter into a serious remembrance of his ende. Wherin also is contained the meane and manner of disposing himselfe to God, before, and at the time of his departure. In the whole, somewhat happily may be obserued, necessary to be thought vpon while we are aliue, and when we are dying, to aduise our selues and others.

Date

1604

God creating Eve from Adam and blessing her. Collotype after W. Blake.

Reference

17280i

A female figure with bowls of fruit and a monkey; Eve picks the apple from the tree of knowledge; representing the sense of taste. Engraving by N. de Bruyn after M. de Vos.

Reference

26958i

Part of

The five senses (Martin de Vos)

L'art d'accoucher réduit a ses principes ... avec l'histoire sommaire de l'art ... & une lettre sur la conduite qu'Adam & Eve dûrent tenir à la naissance de leurs premiers enfans / [Jean Astruc].

Date

1766

The serpent entwines itself around the body of Eve; it whispers in her ear, enticing her to eat the forbidden fruit. Photogravure by Lemercier and co. after Walter Crane, 1899.

Date

1899

Reference

15597i

Adam and Eve stand by the Tree of Knowledge and are told by the serpent to practise marital fidelity to avoid death from AIDS. Colour lithograph after S. Shakhunov and Zh. Éffelya, 1990.

Date

1990

Reference

541406i

A physician in his study, turning to the viewer to exploit illness arising from sin. Engraving by J.D. Hertz, 17--.

Date

[between 1700 and 1799]

Reference

45473i

Milton's Paradise lost, or, the fall of man: with historical, philosophical, critical, and explanatory notes, from the learned Raymond de St. Maur. Wherein The Technical Terms in the Arts and Sciences are explained; the original Signification of the Names of Men, Cities, Animals, &c. and from what Language derived, render'd easy and intelligible. Also The Mythological Fables of the Heathens, wherever referr'd to, historically related; difficult Passages cleared of their Obscurity; and the Whole reduced to the Standard of the English Idiom. In twelve books. Embellished with fourteen copper plates.

Date

MDCCLXVII. [1767]

The ancientness of the Christian religion; or a discourse concerning the original account of the marvellous and most comfortable work of mens redemption through the Second Person of the blessed Trinity our Lord Jesus Christ, who took their Nature in Order to effect it; shewing that this blessed work has been carried on ever since Adam and Eve fell into sin, and is to be carried on to the Day of the Universal Judgment. By B. Regis, D. D. Rector of Adisham in Kent, Canon of Windsor, and Chaplain in Ordinary to His Majesty.

Date

1753

Adam and Eve expelled from Eden by an angel. Engraving by P.P. Bouche after G. Freman.

Date

[1705]

Reference

2474271i

Adam and Eve cover their nakedness as God makes his wrath felt in the Garden of Eden. Etching by J.E. Ridinger after himself, c. 1750.

Reference

20726i

Eve picks the apple from the tree as the serpent emerges. Etching by J.E. Ridinger after himself, c. 1750.

Reference

20725i

Elements of midwifry. Containing the most modern and successful method of practice in every different kind of labour. With a short history of the art of midwifry, and an answer to a casuistical letter, on the conduct of Adam and Eve, at the birth of their first child / Translated, with additions and explanatory notes, by S. Ryley.

Date

1766

Three goddesses dance around the Tree of Knowledge. Engraving by J. Payrau, 1901, after E. Burne-Jones.

Date

1901

Reference

20653i

The gates of Eden open to expel Adam and Eve, who stand caught in a terrified embrace. Aquatint by M. Haughton, 1805 after J.H. Füssli (Fuseli).

Date

20 July 1805

Reference

20349i

Johannis Miltoni Paradisus amissus Latine redditus. Interprete Josepho Trapp, S. T. P. ...

Date

MDCCXLI. [1741]

Surrounded by animals in the Garden of Eden, Eve ascends from Adam's side. Line engraving by J. Haeyler after C. van den Broeck.

Reference

15592i

The fall; expelled from Eden, Adam and Eve raise a family and set to work. Engraving by Scotin, c. 1765.

Date

[1765]

Reference

20708i

The fall of man, or, Milton's Paradise lost. In prose. With critical, philosophical, and explanatory notes, From several Authors; wherein the Technical Terms in the Arts and Sciences are explained, Cities, Towns, and Rivers faithfully described, and the Mythological Fables of the Heathens historically related. A new translation, from the French. The second edition. Adorned with copperplates.

Date

[1770?]

Adam and Eve holding fruit: Four figures. Heliogravure by C. Amand-Durand.

Reference

15588i

Eve presents Adam with the apple. Etching by J.E. Ridinger after himself, c. 1750.

Reference

20727i

The history of Adam and Eve: critical and political. ... English'd from the original Italian of the celebrated Gio. Fran. Loredano, a noble Venetian. Whereunto is annex'd, M. Sarrasin's fine epigram on Eve's coquetry; with the Latin and English versions.

Date

[1738]

God lifts Eve from sleeping Adam's side. Etching by G.B. Leonetti after C. Cencioni after Nicola Pisano.

Reference

20269i