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Honda, Colombia: a wooden bridge over the river Gualí. Coloured etching by C. Empson, 1836.
Empson, Charles, active 1836.Date: [1836]Reference: 678032iPart of: Places in Colombia. Coloured etchings and lithographs by C. Empson, 1836.- Pictures
- Online
Colombia: a shed on the banks of a lagoon of the River Cienega. Coloured etching by C. Empson, 1836.
Empson, Charles, active 1836.Date: [1836]Reference: 678012iPart of: Places in Colombia. Coloured etchings and lithographs by C. Empson, 1836.- Pictures
- Online
Colombia: a covered passage providing a prospect of the Cordillera mountains across a ravine. Coloured etching by C. Empson, 1836.
Empson, Charles, active 1836.Date: [1836]Reference: 678016iPart of: Places in Colombia. Coloured etchings and lithographs by C. Empson, 1836.- Pictures
- Online
Pinelli etching Virgil and Dante, the plate being examined by monsters who are watched on the right by Virgil and Dante. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661779iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.- Pictures
- Online
The giant Antaeus carries Virgil and Dante to the Ninth Circle of Hell. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661784iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.- Pictures
- Online
Dante and Virgil watching heretics in hell ripping their bodies apart as punishment for schism. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661783iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.- Pictures
- Online
Thieves being tortured by snakes in the 8th circle of Hell, watched by Dante and Virgil. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661781iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.- Pictures
- Online
Dante and Virgil watching Bertrand de Born hold his head away from his body to illustrate the spreading of disunity. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661782iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.- Pictures
- Online
Virgil and Dante sitting on the back of Geryon to be transported from the 8th to the 7th circle of Hell. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661780iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.- Pictures
- Online
The death of infants: a skeleton representing Death grabs and eats infants who die innocent of vice but unendowed with the theological virtues. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661785iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.- Pictures
- Online
Colombia: an out-house for preparation of food. Coloured lithograph by C. Empson, 1836.
Empson, Charles, active 1836.Date: [1836]Reference: 678031iPart of: Places in Colombia. Coloured etchings and lithographs by C. Empson, 1836.- Pictures
- Online
Mariquita, Colombia: a wooden bridge. Coloured lithograph by C. Empson, 1836.
Empson, Charles, active 1836.Date: [1836]Reference: 678033iPart of: Places in Colombia. Coloured etchings and lithographs by C. Empson, 1836.- Pictures
- Online
Lady Conyngham sitting on a stool with her hand on a crown. Etching by William Heath.
Heath, William, 1795-1840.Date: Oct.10 1829Reference: 29670i- Pictures
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James Scarlett, 1st Baron Abinger, as a washerwoman scrubbing clothes in a tub filled with hot soapy water. Etching by William Heath, 1829.
Heath, William, 1795-1840.Date: Oct. 10 1829Reference: 29700i- Pictures
- Online
Lord Lyndhurst, as a cook with a large ladle in his hand, is roasting beef on the spit as a large kettle boils. Etching by W. Heath, 1829.
Heath, William, 1795-1840Date: Oct.10th 1829Reference: 29702i- Pictures
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King George IV as a lady's maid wearing an apron over her dress. Etching by William Heath, 1829.
Heath, William, 1795-1840.Date: Oct.10th 1829Reference: 29683i- Pictures
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The Duke of Wellington as an old woman wearing a bonnet and carrying a candle stick and snuffer. Etching by William Heath, 1829.
Heath, William, 1795-1840.Date: Oct 10th 1829Reference: 29690i- Pictures
Captives. Etching by P. Aquila after Annibale Carracci.
Carracci, Annibale, 1560-1609.Date: [between 1670 and 1679?]Reference: 11622iPart of: Paintings by Annibale Carracci in the Palazzo Farnese, Rome. Etchings by P. Aquila after Annibale Carracci.- Pictures
Sacred and secular subjects. Etchings attributed to J. Wolff after R. La Fage.
La Fage, Raymond, 1656-1684.Date: [between 1710 and 1719?]Reference: 2497788i- Pictures
Aurora and Cephalus. Etching by P. Aquila, 167-, after Annibale Carracci.
Carracci, Annibale, 1560-1609.Date: [between 1670 and 1679?]Reference: 11616iPart of: Paintings by Annibale Carracci in the Palazzo Farnese, Rome. Etchings by P. Aquila after Annibale Carracci.- Pictures
Perseus and Andromeda. Etching by P. Aquila, 167-, after Annibale Carracci.
Carracci, Annibale, 1560-1609.Date: [between 1670 and 1679?]Reference: 11609iPart of: Paintings by Annibale Carracci in the Palazzo Farnese, Rome. Etchings by P. Aquila after Annibale Carracci.- Pictures
Pan and Diana (Artemis). Etching by P. Aquila after Annibale Carracci.
Carracci, Annibale, 1560-1609.Date: [between 1670 and 1679?]Reference: 11620iPart of: Paintings by Annibale Carracci in the Palazzo Farnese, Rome. Etchings by P. Aquila after Annibale Carracci.- Pictures
Palazzo Farnese, Rome: a wall of the gallery. Etching by P. Aquila after Annibale Carracci.
Carracci, Annibale, 1560-1609.Date: [between 1670 and 1679?]Reference: 11625iPart of: Paintings by Annibale Carracci in the Palazzo Farnese, Rome. Etchings by P. Aquila after Annibale Carracci.- Pictures
- Online
Palazzo Farnese, Rome: a wall of the gallery. Etching by P. Aquila after Annibale Carracci.
Carracci, Annibale, 1560-1609.Date: [between 1670 and 1679?]Reference: 11624iPart of: Paintings by Annibale Carracci in the Palazzo Farnese, Rome. Etchings by P. Aquila after Annibale Carracci.- Pictures
- Online
Mercury (Hermes) offering a golden apple to Paris. Etching by P. Aquila after Annibale Carracci.
Carracci, Annibale, 1560-1609.Date: [between 1670 and 1679?]Reference: 11618iPart of: Paintings by Annibale Carracci in the Palazzo Farnese, Rome. Etchings by P. Aquila after Annibale Carracci.