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A caterpillar bores a hole into the side of pear having just eaten a hole in an apple, an analogy to the voracious appetite and speed of growth of the HIV virus. Colour silk screen print after A. François, 1993.
François, André, 1915-2005
Date
[1993]
Reference
672816i
Part of
Images pour la lutte contre le SIDA
Pictures
Online
Black forms with a white centre representing an advertisement for an exhibition of AIDS posters by Artis. Silk screen print after C. Wool, 1993.
Wool, Christopher
Date
[1993]
Reference
672797i
Part of
Images pour la lutte contre le SIDA
Pictures
Online
A dart board on which a white man and and an African blame each other for AIDS. Colour silk screen print, 1993, after Chéri Samba, 1990.
Samba, Chéri, 1956-
Date
1993
Reference
672778i
Part of
Images pour la lutte contre le SIDA
Pictures
Online
The word 'vie' (life) changed to 'vih' (HIV) over a smiling skull-like face representing the loss of life due to AIDS. Colour silk screen print after W. Jeker, 1993.
Jeker, Werner
Date
[1993]
Reference
672799i
Part of
Images pour la lutte contre le SIDA
Pictures
Online
A penis rising in the form of a yellow serpent with a pronged tongue daubed on a rough red wall bearing the graffiti "AIDS, the killing bit of love"; representing the danger of sexual transmission of AIDS. Colour silk screen print after Anthon Beeke, 1993.
Beeke, Anthon, 1940-2018
Date
1993
Reference
672741i
Part of
Images pour la lutte contre le SIDA
Pictures
Online
The revelation of St John: an angel descending from the sun brandishing a sword for punishment of the sinful; an allegory of AIDS. Colour silk screen print after Peret, 1993.
Peret, 1945-
Date
[19]93
Reference
672793i
Part of
Images pour la lutte contre le SIDA
Pictures
Online
A swirling crowd of people with the word "isolé" (isolated) typed diagonally across the page, with an extract from the passport dated 16 Dec 1979 bottom right; an analogy to the isolation felt by those with AIDS. Colour silk screen print after Roger Pfund, 1993.
Pfund, Roger
Date
1993
Reference
672795i
Part of
Images pour la lutte contre le SIDA
Pictures
Online
White linen embroidered with a flower and the initials 'SC' with a letterpress narrative describing its role in protecting the artist from AIDS. Colour silk screen print after S. Calle, 1993.
Calle, Sophie
Date
[between 1990 and 1999];
Reference
672755i
Part of
Images pour la lutte contre le SIDA
Pictures
Online
The side of a building with the question "One day, when all diseases will be overcome, shall we finally learn how to live", referring to AIDS. Colour silk screen print after Jochen Gerz, 1993.
Gerz, Jochen
Date
[1993]
Reference
672784i
Part of
Images pour la lutte contre le SIDA
Pictures
Online
A personified condom with a large speech bubble containing messages, interspersed with hearts, based on the idea that love is the solution to AIDS; surrounded by blue graphic symbols of Adam and Eve. Colour silk screen print after R. Combas, 1993.
Combas, Robert, 1957-
Date
[19]93
Reference
672782i
Part of
Images pour la lutte contre le SIDA
Pictures
Online

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A caterpillar bores a hole into the side of pear having just eaten a hole in an apple, an analogy to the voracious appetite and speed of growth of the HIV virus. Colour silk screen print after A. François, 1993.

Black forms with a white centre representing an advertisement for an exhibition of AIDS posters by Artis. Silk screen print after C. Wool, 1993.

A dart board on which a white man and and an African blame each other for AIDS. Colour silk screen print, 1993, after Chéri Samba, 1990.

The word 'vie' (life) changed to 'vih' (HIV) over a smiling skull-like face representing the loss of life due to AIDS. Colour silk screen print after W. Jeker, 1993.

A penis rising in the form of a yellow serpent with a pronged tongue daubed on a rough red wall bearing the graffiti "AIDS, the killing bit of love"; representing the danger of sexual transmission of AIDS. Colour silk screen print after Anthon Beeke, 1993.

The revelation of St John: an angel descending from the sun brandishing a sword for punishment of the sinful; an allegory of AIDS. Colour silk screen print after Peret, 1993.

A swirling crowd of people with the word "isolé" (isolated) typed diagonally across the page, with an extract from the passport dated 16 Dec 1979 bottom right; an analogy to the isolation felt by those with AIDS. Colour silk screen print after Roger Pfund, 1993.

White linen embroidered with a flower and the initials 'SC' with a letterpress narrative describing its role in protecting the artist from AIDS. Colour silk screen print after S. Calle, 1993.

The side of a building with the question "One day, when all diseases will be overcome, shall we finally learn how to live", referring to AIDS. Colour silk screen print after Jochen Gerz, 1993.

A personified condom with a large speech bubble containing messages, interspersed with hearts, based on the idea that love is the solution to AIDS; surrounded by blue graphic symbols of Adam and Eve. Colour silk screen print after R. Combas, 1993.

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A caterpillar bores a hole into the side of pear having just eaten a hole in an apple, an analogy to the voracious appetite and speed of growth of the HIV virus. Colour silk screen print after A. François, 1993.

Black forms with a white centre representing an advertisement for an exhibition of AIDS posters by Artis. Silk screen print after C. Wool, 1993.

A dart board on which a white man and and an African blame each other for AIDS. Colour silk screen print, 1993, after Chéri Samba, 1990.

The word 'vie' (life) changed to 'vih' (HIV) over a smiling skull-like face representing the loss of life due to AIDS. Colour silk screen print after W. Jeker, 1993.

A penis rising in the form of a yellow serpent with a pronged tongue daubed on a rough red wall bearing the graffiti "AIDS, the killing bit of love"; representing the danger of sexual transmission of AIDS. Colour silk screen print after Anthon Beeke, 1993.

The revelation of St John: an angel descending from the sun brandishing a sword for punishment of the sinful; an allegory of AIDS. Colour silk screen print after Peret, 1993.

A swirling crowd of people with the word "isolé" (isolated) typed diagonally across the page, with an extract from the passport dated 16 Dec 1979 bottom right; an analogy to the isolation felt by those with AIDS. Colour silk screen print after Roger Pfund, 1993.

White linen embroidered with a flower and the initials 'SC' with a letterpress narrative describing its role in protecting the artist from AIDS. Colour silk screen print after S. Calle, 1993.

The side of a building with the question "One day, when all diseases will be overcome, shall we finally learn how to live", referring to AIDS. Colour silk screen print after Jochen Gerz, 1993.

A personified condom with a large speech bubble containing messages, interspersed with hearts, based on the idea that love is the solution to AIDS; surrounded by blue graphic symbols of Adam and Eve. Colour silk screen print after R. Combas, 1993.

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