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A nude male model before a painting and drawing life class. Engraving by S.F. Ravenet, 1771, after J.H. Mortimer.
Mortimer, John Hamilton, 1740-1779.Date: 1 November 1771Reference: 32709i
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Lanfranc. Line engraving by S. F. Ravenet, 1749, after A. Humblot.
Humblot, Antoine, -1758.Date: 1749Reference: 5245i
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An écorché figure, back view, with left arm extended, showing the bones and the muscles, with a stream in the background. Engraving by S.F. Ravenet after B.S. Albinus, 1748.
Albinus, Bernhard Siegfried, 1697-1770Date: 1748Reference: 666673i
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Antinoüs, or Mercury. Etching by S.F. Ravenet after R. Dalton, 1745.
Dalton, Richard, 1715?-1791.Date: 12 Nov.r 1745Reference: 663741i
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Superficial anatomy of the woman: anterior view. Engraving by S.F. Ravenet after G. Bidloo, 1750.
Bidloo, Govard, 1649-1713Date: 1750Reference: 666999i
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Frederick Prince of Wales. Engraving by F.S. Ravenet, ca. 1757, after T. Hudson.
Hudson, Thomas, 1701-1779.Date: [1757?]Reference: 2199810i
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A standing skeleton, side view, with left arm extended. Engraving by S.F. Ravenet, after B.S. Albinus, 1747.
Albinus, Bernhard Siegfried, 1697-1770Date: 1747Reference: 582602i
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Tobias cowers back as the angel points to the fire, flames and figures appear, and Sarah watches in the background. Engraving by S.F. Ravenet after R. Earlom after E. Le Sueur.
Le Sueur, Eustache, 1616-1655.Date: Jany. 1st. 1767Reference: 28785i
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Lucretia recounts to her family and friends her rape by Tarquin, and requests vengeance. Engraving by S.F. Ravenet after Andrea Casali.
Casali, Andrea, 1705-1784.Date: 11th April 1768Reference: 28827i
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Queen Mary II. Engraving by S.F. Ravenet, 1757, after G. Kneller.
Kneller, Godfrey, Sir, 1646-1723.Date: [1757?]Reference: 2059551i
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The good Samaritan tending to a wounded man while a priest and a Levite walk by. Engraving by F.S. Ravenet and J.M. Delattre, 1772, after W. Hogarth.
Hogarth, William, 1697-1764.Date: Feb.y 24th 1772Reference: 9969i
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The hollow eyes of blind Tobit are anointed with fish gall by Tobias. Engraving by S.F. Ravenet, 1767, after R. Earlom after Agostino Carracci.
Carracci, Agostino, 1557-1602.Date: 1767Reference: 21509i
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Superficial anatomy of the woman: posterior view. Engraving by S.F. Ravenet after G. Bidloo, 1748.
Bidloo, Govard, 1649-1713Date: 1748Reference: 667000i
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Squanderfield fatally wounded by a rapier leans back as his wife kneels before him; Silvertongue in his nightgown hastily escapes through a window. Engraving by Simon François Ravenet after William Hogarth, 1745.
Hogarth, William, 1697-1764.Date: [1745]Reference: 38357i
Part of: Marriage a-la-mode
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A hunting party with falcons. Engraving by S.F. Ravenet after Carle Vanloo.
Vanloo, Carle, 1705-1765.Reference: 34678i
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Wrestlers. Etching by S.F. Ravenet after R. Dalton, 1744.
Dalton, Richard, 1715?-1791.Date: 20 Sep. 1744Reference: 663776i
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Initial dissection of the pregnant female abdomen, showing the skin peeled away to reveal the swollen uterus. Copperplate engraving by F.S. Ravenet after I.V. Rymsdyk, 1774, reprinted 1851.
Rymsdyk, Jan van, active 1750-1788.Date: [1851]Reference: 579790i
Part of: Hunter, William
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Seneca preparing his own death with his foot in a bath. Coloured engraving by S.F. Ravenet after R. Earlom after Luca Giordano.
Giordano, Luca, 1634-1705.Date: Published Oct.r 1 1768Reference: 548180i
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A man sharpening a blade on a whetstone. Etching by S.F. Ravenet after R. Dalton, 1745.
Dalton, Richard, 1715?-1791.Date: 12 August 1745Reference: 663740i
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The adoration of the shepherds at the birth of Christ; a bound lamb is placed before the cradle. Engraving by S.F. Ravenet after D. Feti.
Fetti, Domenico, approximately 1589-1623.Reference: 24014i
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A dancing faun with cymbals. Etching by S.F. Ravenet after R. Dalton, 1745.
Dalton, Richard, 1715?-1791.Date: 8 July 1745Reference: 663748i
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Online
Guillaume Vavasseur. Line engraving by S. F. Ravenet, 1749, after A. Humblot.
Humblot, Antoine, -1758.Date: 1749Reference: 9371i
Pictures
Online
The Apollino. Etching by R. Dalton, 1746.
Dalton, Richard, 1715?-1791.Date: 28 March 1746Reference: 663940i
Pictures
Online
Front view of the cavity of the uterus, after the removal of a foetus: the investing membranes still adhering. Engraving by F.S. Ravenet after I.V. Rymsdyk, 1774, reprinted 1851.
Rymsdyk, Jan van, active 1750-1788.Date: [1851]Reference: 579808i
Part of: Hunter, William
Pictures
Online
The countess's levee: a barber dresses her hair while she converses with Silvertongue, her lawyer. Engraving by Simon François Ravenet after W. Hogarth, 1745.
Hogarth, William, 1697-1764.Date: [1745]Reference: 38356i
Part of: Marriage a-la-mode

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A nude male model before a painting and drawing life class. Engraving by S.F. Ravenet, 1771, after J.H. Mortimer.

Lanfranc. Line engraving by S. F. Ravenet, 1749, after A. Humblot.

An écorché figure, back view, with left arm extended, showing the bones and the muscles, with a stream in the background. Engraving by S.F. Ravenet after B.S. Albinus, 1748.

Antinoüs, or Mercury. Etching by S.F. Ravenet after R. Dalton, 1745.

Superficial anatomy of the woman: anterior view. Engraving by S.F. Ravenet after G. Bidloo, 1750.

Frederick Prince of Wales. Engraving by F.S. Ravenet, ca. 1757, after T. Hudson.

A standing skeleton, side view, with left arm extended. Engraving by S.F. Ravenet, after B.S. Albinus, 1747.

Tobias cowers back as the angel points to the fire, flames and figures appear, and Sarah watches in the background. Engraving by S.F. Ravenet after R. Earlom after E. Le Sueur.

Lucretia recounts to her family and friends her rape by Tarquin, and requests vengeance. Engraving by S.F. Ravenet after Andrea Casali.

Queen Mary II. Engraving by S.F. Ravenet, 1757, after G. Kneller.

The good Samaritan tending to a wounded man while a priest and a Levite walk by. Engraving by F.S. Ravenet and J.M. Delattre, 1772, after W. Hogarth.

The hollow eyes of blind Tobit are anointed with fish gall by Tobias. Engraving by S.F. Ravenet, 1767, after R. Earlom after Agostino Carracci.

Superficial anatomy of the woman: posterior view. Engraving by S.F. Ravenet after G. Bidloo, 1748.

Squanderfield fatally wounded by a rapier leans back as his wife kneels before him; Silvertongue in his nightgown hastily escapes through a window. Engraving by Simon François Ravenet after William Hogarth, 1745.

A hunting party with falcons. Engraving by S.F. Ravenet after Carle Vanloo.

Wrestlers. Etching by S.F. Ravenet after R. Dalton, 1744.

Initial dissection of the pregnant female abdomen, showing the skin peeled away to reveal the swollen uterus. Copperplate engraving by F.S. Ravenet after I.V. Rymsdyk, 1774, reprinted 1851.

Seneca preparing his own death with his foot in a bath. Coloured engraving by S.F. Ravenet after R. Earlom after Luca Giordano.

A man sharpening a blade on a whetstone. Etching by S.F. Ravenet after R. Dalton, 1745.

The adoration of the shepherds at the birth of Christ; a bound lamb is placed before the cradle. Engraving by S.F. Ravenet after D. Feti.

A dancing faun with cymbals. Etching by S.F. Ravenet after R. Dalton, 1745.

Guillaume Vavasseur. Line engraving by S. F. Ravenet, 1749, after A. Humblot.

The Apollino. Etching by R. Dalton, 1746.

Front view of the cavity of the uterus, after the removal of a foetus: the investing membranes still adhering. Engraving by F.S. Ravenet after I.V. Rymsdyk, 1774, reprinted 1851.

The countess's levee: a barber dresses her hair while she converses with Silvertongue, her lawyer. Engraving by Simon François Ravenet after W. Hogarth, 1745.

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Works search

Active filters:

A nude male model before a painting and drawing life class. Engraving by S.F. Ravenet, 1771, after J.H. Mortimer.

Lanfranc. Line engraving by S. F. Ravenet, 1749, after A. Humblot.

An écorché figure, back view, with left arm extended, showing the bones and the muscles, with a stream in the background. Engraving by S.F. Ravenet after B.S. Albinus, 1748.

Antinoüs, or Mercury. Etching by S.F. Ravenet after R. Dalton, 1745.

Superficial anatomy of the woman: anterior view. Engraving by S.F. Ravenet after G. Bidloo, 1750.

Frederick Prince of Wales. Engraving by F.S. Ravenet, ca. 1757, after T. Hudson.

A standing skeleton, side view, with left arm extended. Engraving by S.F. Ravenet, after B.S. Albinus, 1747.

Tobias cowers back as the angel points to the fire, flames and figures appear, and Sarah watches in the background. Engraving by S.F. Ravenet after R. Earlom after E. Le Sueur.

Lucretia recounts to her family and friends her rape by Tarquin, and requests vengeance. Engraving by S.F. Ravenet after Andrea Casali.

Queen Mary II. Engraving by S.F. Ravenet, 1757, after G. Kneller.

The good Samaritan tending to a wounded man while a priest and a Levite walk by. Engraving by F.S. Ravenet and J.M. Delattre, 1772, after W. Hogarth.

The hollow eyes of blind Tobit are anointed with fish gall by Tobias. Engraving by S.F. Ravenet, 1767, after R. Earlom after Agostino Carracci.

Superficial anatomy of the woman: posterior view. Engraving by S.F. Ravenet after G. Bidloo, 1748.

Squanderfield fatally wounded by a rapier leans back as his wife kneels before him; Silvertongue in his nightgown hastily escapes through a window. Engraving by Simon François Ravenet after William Hogarth, 1745.

A hunting party with falcons. Engraving by S.F. Ravenet after Carle Vanloo.

Wrestlers. Etching by S.F. Ravenet after R. Dalton, 1744.

Initial dissection of the pregnant female abdomen, showing the skin peeled away to reveal the swollen uterus. Copperplate engraving by F.S. Ravenet after I.V. Rymsdyk, 1774, reprinted 1851.

Seneca preparing his own death with his foot in a bath. Coloured engraving by S.F. Ravenet after R. Earlom after Luca Giordano.

A man sharpening a blade on a whetstone. Etching by S.F. Ravenet after R. Dalton, 1745.

The adoration of the shepherds at the birth of Christ; a bound lamb is placed before the cradle. Engraving by S.F. Ravenet after D. Feti.

A dancing faun with cymbals. Etching by S.F. Ravenet after R. Dalton, 1745.

Guillaume Vavasseur. Line engraving by S. F. Ravenet, 1749, after A. Humblot.

The Apollino. Etching by R. Dalton, 1746.

Front view of the cavity of the uterus, after the removal of a foetus: the investing membranes still adhering. Engraving by F.S. Ravenet after I.V. Rymsdyk, 1774, reprinted 1851.

The countess's levee: a barber dresses her hair while she converses with Silvertongue, her lawyer. Engraving by Simon François Ravenet after W. Hogarth, 1745.