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Rome: a capriccio of ancient buildings, including the Pantheon, the statue of Marcus Aurelius on the Campidoglio, and Trajan's column. Etching by J.S. Muller, 1744, after G.P. Panini.

Date

Aug.t 10th 1744

Reference

2897471i

An old man, and a boy with a bird. Etching by A. Pond, ca. 1736, after G.F. Barbieri, il Guercino.

Date

1736

Reference

3015402i

Mark Akenside. Line engraving by J. H. Robinson, 1835, after A. Pond.

Date

1835

Reference

443i

Rome: left, the Arch of Constantine; right, the temple of Saturn; people standing, sitting, reclining and horse-riding among the ruins. Etching and woodcut by C. Knapton, ca. 1736, after G.P. Panini.

Date

1736

Reference

3010917i

A cavalry charge. Etching and colour woodcut by A. Pond, 1735, after J. Courtois.

Date

1735

Reference

3010914i

A man holding a shoe in each hand. Etching by A. Pond, ca. 1736, after G.F. Barbieri, il Guercino.

Date

1730-1739

Reference

2498578i

A man wearing a ribboned wig, sitting on a chair, pointing his finger. Etching by Arthur Pond after P.L. Ghezzi.

Date

[17--]

Reference

32869i

Sebastiano Resta. Etching by Arthur Pond, 1738, after P.L. Ghezzi.

Reference

32871i

Saint Mary Magdalen. Etching by A. Pond, 1734, after Annibale Carracci.

Date

1734

Reference

6676i

Rome: a capriccio of ancient buildings in their unruined state, including two temples, an obelisk, and the mausoleum of Hadrian; with sculptures and a fountain. Etching by J.S. Müller, 1746, after G.P. Panini.

Date

April 12th 1746

Reference

2921418i

A man and his wife looking at each other, with their son; in the background, a bearded man and a woman looking away from each other. Etching and woodcut by A. Pond, 1734, after G.F. Mazzola, il Parmigianino.

Date

1734

Reference

2496890i

Mark Akenside. Mezzotint by E. Fisher, 1772, after A. Pond, 1754.

Date

1772

Reference

432i

Two philosophers engaged in conversation. Etching by A. Pond, c. 1740, after A. Carracci.

Reference

17891i

Richard Mead. Etching by A. Pond, 1739.

Date

1739

Reference

6446i

A hermit reading in a rocky landscape. Etching by J. Wood, 1744, after S. Rosa.

Date

Feb.y 1744

Reference

2267489i

Mark Akenside. Stipple engraving by R. Woodman, 1837, after A. Pond.

Date

1837

Reference

447i

Mark Akenside. Line engraving by R. Rhodes after a drawing by G. Clint after A. Pond.

Reference

441i

Rome: a capriccio of ancient buildings, including the remains of three temples and the basilica of Maxentius; the Borghese vase; and a horse drinking from a fountain. Etching by J.S. Müller, 1745, after G.P. Panini.

Date

[...]th 1745

Reference

2921417i

A fat man wearing a coat and hat standing with his hand in his pocket; described as "un pizzicaruolo". Etching by A. Pond, 1741, after P.L. Ghezzi.

Date

[ca. 1741]

Reference

32870i

A man with large spectacles is sitting on a seat peering at a man who is approaching him. Etching by Arthur Pond after Annibale Carracci.

Reference

32874i

An eagle. Etching by A. Pond, 1736, after G.F. Barbieri, il Guercino.

Date

1736

Reference

3015416i

Rome: five people relax on a block of stone, and one of them points up to an ancient Roman statue. Etching by C. Knapton, 1736, after G.P. Panini.

Date

1736

Reference

2474142i

Nuns kneeling in prayer; in the foreground, a man kneeling on the ground. Etching by A. Pond, ca. 1736, after Agostino Carracci.

Date

1736

Reference

3015537i

Gaius Mucius Scaevola's ordeal by fire: Gaius Mucius is thrusting his hand into the fire blazing on an altar before the king Lars Porsena, surrounded by onlookers. Etching and colour woodcut by A. Pond, 1735, after P. Caldara da Caravaggio.

Date

[1735]

Reference

2917964i

Dr Thomas Bentley wearing a wig and a sword. Etching by A. Pond after P.L. Ghezzi.

Reference

32852i