A tempestuous sea with a man chasing a boat.

  • Hennell, Thomas, 1903-1945.
Date:
[1935?]
Reference:
663468i
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Credit

A tempestuous sea with a man chasing a boat. Wellcome Collection. In copyright. Source: Wellcome Collection.

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About this work

Also known as

Previous title, replaced April 2024: Visions of a schizophrenic: right, a tempestuous sea, left a man chasing a boat. Watercolour by T. Hennell, ca. 1935.

Description

On the right a turbulent seascape buffeting a solitary seaman in a Turner-like sky filled with spume. On the left is a punt or gondola guided by a serene classical steersman, whose vessel is occupied by a big classical authority-figure resembling Blake's Urizen (the establishment), which a hopeless figure attempts to catch up with

Publication/Creation

[1935?]

Physical description

1 painting : pencil and watercolour ; sheet 31 x 49 cm

Lettering

"This was most likely painted soon after Hennell was discharged 'recovered' (on 31st October 1935) from Claybury psychiatric hospital, Essex" (label on verso of mount)

Notes

This work is untitled: the title has been supplied by the cataloguer.

References note

Michael MacLeod, Thomas Hennell, Cambridge 1988 (on the artist)

Reference

Wellcome Collection 663468i

Creator/production credits

Thomas Hennell was a professional artist (illustrator, poet, chronicler of countryside ways) who underwent a prolonged schizophrenic episode from 1932 to 1935. He wrote an account of his illness, The witnesses (published in London in 1945 and reprinted in New York in 1967), in which he recounted how his hallucinations appeared to him at the time. He was detained as an inpatient first at St John's Hospital, Stone (the building had been Buckinghamshire County Pauper Lunatic Asylum), then at the Maudsley Hospital (at Denmark Hill SE5) and finally at Claybury, Essex: he disliked his treatment at the first two, and satirised the Maudsley psychiatrists in his book, but enjoyed the humane therapy at Claybury (though there is a signed drawing by him in the Tate of staff stealing from a patient in Claybury). Although he was a prolific artist, the present drawing is one of only two that survive illustrating his mental state: other drawings of his illness were destroyed by his mother after his early death (he was apparently lynched by Indonesian nationalists while employed as a war artist)

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