Pierre de Chastelard playing the lute and singing to Mary queen of Scots, who looks lovingly at him. Engraving by A. Duncan, 1830, after H. Fradelle.

  • Fradelle, Henri Jean-Baptiste Victoire, 1778-1865.
Date:
June 15, 1830
Reference:
2499392i
  • Pictures

About this work

Description

Chastelard (Chatelard) was a poet who accompanied Mary Queen of Scots from France to Scotland in 1561. After a period of close friendship with the queen, he hid secretly in her bedchamber at Rossend Castle, Burntisland: she had him executed in Edinburgh for excessive presumption of intimacy (Nouvelle biographie générale, vol. 10, Paris 1863, pp. 66-67, s.v. Chastelard, Pierre de Boscosel de )

Publication/Creation

London (6 Pall Mall) : Published for the proprietor ... by Moon, Boys & Graves, printsellers to his Majesty, June 15, 1830 [London?] : Printed by McQueen)

Physical description

1 print : engraving ; platemark 35 x 40.7 cm

Lettering

Mary Queen of Scots, and her secretary, Chatelar. To his most gracious Majesty George the Fourth, this engraving is with his permission dedicated by his most obedient, humble and grateful servant H. Fradelle. Painted by Henry Fradelle. Engraved by A. Duncan from the original picture. Lettering also includes excerpts from poems by Chatelard; Une reine est maitresse de mon coeur ... J'ose bien aimer mais je n'ose pas le dire.

Creator/production credits

"Engraved by A. Duncan from the original picture": i.e. not after the mezzotint by W. Say

References note

The literary gazette and journal of belles lettres, vol. 14, 7 August 1830, p. 515: "Mary Queen of Scots, and her secretary, Chatelar. Engraved by A. Duncan from the original picture painted by H. Fradelle, London 1830. Moon, Boys and Graves.There have been few prints so popular in England, and perhaps no English print was ever so popular on the continent, as the well-known mezzotinto plate which was published a few years ago from Mr Fradelle's picture. The present is an engraving in line, and of a smaller size than its predecessor. It is very ably executed, and especially with reference to the great charm of the composition, namely, the fond abstraction with which the lovely queen is contemplating the amorous, but rash and unfortunate Chatelar"

Reference

Wellcome Collection 2499392i

Type/Technique

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