Mediaeval art from the peace of the church to the eve of the Renaissance 312-1350 / by W.R. Lethaby.

  • Lethaby, W. R. (William Richard), 1857-1931.
Date:
1904
Catalogue details

Licence: In copyright

Credit: Mediaeval art from the peace of the church to the eve of the Renaissance 312-1350 / by W.R. Lethaby. Source: Wellcome Collection.

    467/474 (page 313)
    I’ersia, 67,78 Perugia, Town Hall, 291 n Pliocis, Church of St. Luke, 68,116 Pisa, disposition of buildings, 99 ; Baptistery columns, loi; Baptistery, 105, *107; pulpit in Baptistery, 279; Cathedral, 103, seq., 118, 279; Campanile, 105; San Piero a Grado, 103; San Paolo, 105, *106, 107 ; Sau Michele di Borgo, 280; San Pietro, 280 ; Campo Santo, 280 ; characteristics of style, 106 ; Pisan lozenge, 106; Greek influence on, 107 ; Pisan arcades, 107, 108 Pistoia, 107 Plan, concentric, 10, 90 ; primitive, 16 ; basilican, 17; early Byzantine, 43,44 ; cruciform, 47; triapsidal, 72, 73; quatrefoil, 73, 74 ; late Byzantine, 49; Strzygowski’s classification of Byzantine churches, 81 ; French Gothic plan, 167, Appendix (F) ; Gothic aim in planning, 167, seq.; plan of Laon, 198 ; of Angers, 214 ; of Orvieto, 287,288 Poissy, Church at, 151 Poitiers baptistery, 120 Pomposa, capital from, 39 Portraits, early, 14; French Gothic, •=i‘239, *240, 241, 243 Prefect, Book of the, 65 Preger, 46 Primitive churches, oiigiu of, 16 Procopius, 44, 47, 58, 86 Proportion, Gothic, 168, seq. Pulpitum, 183 Quickerat, 198 Ramsay, Abbey church of, 86 Ravello, bronze doors, 118 Ravenna, 4; San Vitale, 39, *51, 52, 54; Basilica of Hercules, 42; St. John the Evangelist, 42; Tomb of Galla Placidia, 52; Orthodox Baptistery, 52; Arian Baptistery, 52; St. Apollinare Nuovo, 52, 53, 64; Mausoleum of Theodoric, 53 ; St. Apollinare in Classe, 56; Bishop’s chair, 56, 62 Reims, Cathedral of, exterior of, 139 ; flying buttresses, 159; traceried windows, 170, *172; west front, 185 ; nervous energy of, 188 ; description, of, 206, seq.; sculptures of, 219, 228, 229, 230, 232; tomb in, *246; masons of, 247, 248; St. Rcini, pave- ment of, 182; apse, 202; St. Xicaise, masons of, 247 Renaissance, 7 Renan, 140 Rhenish School, 5, 124, seq. Rhodias, C., 47 Rimini, St. Andrea, 88, *89 Ripon, Cathedral of, 160, 265 Rivaulx, Abbey of, 160, 265 Rivoira, 64 Robert, R., 131 Roccella di Squillace, Chui’ch of, ^98 Rochester, Castle of, 138 ; Cathedral of, west door, 219; open arcades, 267 Rolduc, Abbey of, 126 Roman Art, transformation of, 3, 9 ; Oriental influence upon, 9 ; construc- tion, 12; syncretic character of, 14 ; influence abrogated in Constanti- nople, 32 Romanesque Art, 5, 73, 74; Oriental sources of, 80, 81, 84, 89, 90 ; characteristics of, 80 ; Italian Romanesque, 91, seq. ; German R., 126, seq.; French R., 129, seq., Appendix (D); Spanish R., 129, 130, Appendix (C); English R., 132, seq.\ Romanesque an architecture feuda and monastic, 144 Romance Art, 135, seq. Rome, Pantheon, 10, 30; Minerva Medica, 10, *11,44; Constantinean, Art in, 13 ; St. Peter’s, 17, seq., 286 ; St. Paul’s, outside the walls, 20 ; St. JohnLateran, 20,115; Sabina, 20, *21, 124; Sta. Constantia, 22, *23,24,26 ; Sts. Cosmo and Damian, *30; San Stefano, Rotunda, 31; Sta. Pudentiana, 24 ; St. Theodore, 26; Sta. Maria in Cosmedin, 61, 116; St. Sabas, 63 ; Sta. Maria Antiqua, 63; San Clemente, 63, 114; San Prassede, 64; Lateran Baptistery, 64 ; Sta. Maria Maggiore, 114, 283 ; Sta. Maria Trastevere, 114 Rouen, Tower of, 147; Cathedral of description of, 211, ; sculptures of, 231; masons of, 253, seq. RusJdn, John, 92, 231 St. Denis, Abbey church of, 183, 184, 192, 206,218 San Galgano, Abbey of, 276 X