Mediaeval art from the peace of the church to the eve of the Renaissance 312-1350 / by W.R. Lethaby.

  • Lethaby, W. R. (William Richard), 1857-1931.
Date:
1904
Catalogue details

Licence: In copyright

Credit: Mediaeval art from the peace of the church to the eve of the Renaissance 312-1350 / by W.R. Lethaby. Source: Wellcome Collection.

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    Italo-Byzantine, 92 Italian Romanesque, 91, seq. Italian Gothic, 276 seq.’, Italian Gothic Gothic “ with a difference,” 278 ; character of, 293; completed by painting, 293 Italian artists and masons : Master Michele, 97; Fra Jacopo, 100; Andrea Tati, 100; Apollonio, 100; Andrea Pisano, 100, 286, 289 ; Piero di Jacopo, too; Buschetto, 104; Rainaldo, 104 ; Diotisalvi, 105; Bonauus, 105, 118 ; Guidetto, 107 ; Cosmas, &c., 115; Vasalctti, 115; Barisanus, 118; Pietro Lombardo, 127; Giotto, 278, ; Arnolfo di Cambio, 282, 284 ; Pietro Cavallini, 286 ; Francesco Talenti, 286, 287 ; Brunelleschi, 161, 286; Xeri di Fioravanti, 287; Beiici di Cione, 287; Orcagna, 285, 289 ; Lorenzo Maitano, 289 ; Simone Martini, 291; Ambrogio Lorenzetti, 292; Duccio, 292 Ivories, Alexandrian, 35; Bisho])’s Chair, Ravenna, 56; panel, 72 ; dis- semination of, 72, 216; Othoniau, 125 Jacob’s Well, Church at, 86 Jarrow, 121 Jerusalem, Dome of the Rock, 4, 66 ; Aksa mosque, 4, 66; Holy Sepulchre, 2^, seq., *26, *27, *29 ; capitals, 40 Jervaulx, Abbey, 265 Jouarre, Church at, 120 Jumieges, 2, 131 Kef, basilica, *82,95 Kerak, Castle of, 139 Kerouan, 3Iosque of, *39, 40 Kondakov, 67 Koutais, Church of, 78 Kraus, 22, 31, 58 Labyrinth, in Amiens Cathedral, 245 Lanciani, 64 Langton, Douglas, 287 Laon, Cathedral of: plan, 150; Norman influence, 151 ; flying buttresses, 159; towers, 163; cloisters 171; glass, *181; west front, 184 ; sculptures, 221, 228 ; St. Martin’s, 147 ; towers, 164 ; sculptures, 222 ; Bishop’s Palace, 198, 222; Templars’ Church, 167, *168 Lastegn'e, 133,218 Lausanne, Cathedral of, painted statues, 232 ; description of, 271, *272 Leon, Cathedral of, 271 Le Puy, Churcli of, 130 | Le/evre-Pontalis, 192 Libergiers, Hugh, *246, 247 Liege, bronze font at, 216 Liget, St. Jean, 166, 238 Lincoln, Cathedral of, St. Hugh’s Choir, 160; eastern limb, 167, *168; rose window, 168 Lipsius, 81 Lisieux, Cathedral of, 213 Loches, Castle of, 138; Cathedral of, 182 : Appendix D. Lombardic Art, 91, 92, 108, *113, 114 Lombardic influence, 98, 105, 107,126; dispersion of, 127 London—Holy Trinity, Aldgate, 133 ; Tower, 147 Lorenzetti, Ambrogio, 292 Lorsch, Abbey of, 124 Lucca, San 3Iichele, '^io6, 107: iulavs 108 / J > Lynch, H. F. B., 73, 75, 78 Lyons, Cathedral of, piers, 136; mould- ings, *186 Madeba, mosaic at, 29 M<ainz, Cathedral of, 127 Male, Emile, 219, 221, 223, 226 Malmesbury, Abbey of, 133 Le 3Ians, Cathedral of, apsidal chevet, 165 ; buttresses, 213 ; portal, 218 Mantes, Cathedral of, plan, 162 j west front, 184 ; description of, 201 Mantz, P., 242 Marble incrustations, 3Iinerva Medica, Rome, II; banta Sabina, Rome, 20 ; a Roman gift to Christian Art, 22 • Byzantine, 49; at Parenzo, 56; at Bethlehem, 58; St. Mark’s, Venice, 95 ’ Miniato, Florence, 98; baptistery, Florence, loi Marble masonry, Constantinople, 36; Pisa Cathedral, 104; Siena Cathe- driil, 277; Florence campanile, 283 Martini, Simone, 291 Ma^hita, Palace of, »6i, 62. Appendix Masons, their position, 243, seq., 236 *258; tombs of, »ii8, *243, *245,’ »2 54’ ^267; in.scriptions to, 238, *261- drawings of, *260