Objective analysis of musical performance / edited by Carl E. Seashore.

Iowa City, Ia : The University Press, 1936.

379 pages : illustrations, music ; 24 cm.

Copy 1 Supplier/Donor: Poly of East London Note: Formerly in the Charles Myers Library at the N.I.I.P. "Ex libris C. S. Myers"

The objective recording and analysis of musical performance, by C. E. Seashore.--An objective analysis of artistic singing, by H. G. Seashore.--The pitch of the attack in singing, by R. S. Miller.--An objective analysis of artisitic violin performance, by A. M. Small.--Violin performance with reference to tempered, natural and Pythagorean intonation, by P. C. Greene.--The Iowa piano camera and its use, by M. T. Henderson, Joseph Tiffin, and C. E. Seashore.--A musical pattern score of the first movement of the Beethoven sonata, opus 27, no. 2, by Laila Skinner and C. E. Seashore.--Rhythmic organization in artistic piano performance, by M. T. Henderson.--Synchronization of chords in artistic piano music, by L. N. Vernon.--Pitch: its definition and physical determinants, by Don Lewis.--Recent studies in the science of the art of speech from the Iowa laboratory, by Joseph Tiffin.--Schramm's "Approaches to a science of English verse", by H. G. Seashore

Includes bibliographies