The Christ Child painting pictures (the Last Judgment, the Assumption of the Virgin and a scene from hell) on the inner wall of the believer's heart. Engraving by A. Wierix, ca. 1600.

[Antwerp] : Anton. Wierix, [1600?]

1 print : engraving, with etching ; image 7.8 x 5.7 cm.

Sume Iesu penicilla, corq.<ue> totum conscribilla piis imaginibus: sic nec Venus prophanabit, nec Voluptas inquinabit vanis phantasmatibus. Anton. Wierx fecit et excud. Translation of lettering: Take, Jesus, your paint-brushes and daub over the whole heart with holy images. Thus neither shall Venus profane it not shall pleasure pollute it with empty fantasies

M. Mauquoy-Hendrickx, Les estampes des Wierix, vol. 1, Brussels 1978, nos. 443

Hollstein's Dutch and Flemish etchings, engravings and woodcuts, 1450-1700, vol. LXI, The Wierix Family: part III, compiled by Zsuzsanna van Ruyven-Zeman, Rotterdam 2003, no. 460

Eugenio Monegon, 'Jesuit emblematica in China: the circulation of allegorical images in late Ming Fujian, according to Chinese and Western sources', Monumenta serica, 2007

Wellcome Collection 31761i

In the seventeenth century the prints in this series (Cor Jesu amanti sacrum) were used in catechisms by Jesuit preachers in Fujian, China: E. Menegon, op. cit.