The circumcision of Christ. Engraving by F-G. Aliamet, 1765, after R. Earlom after G. Reni.

  • Reni, Guido, 1575-1642.
Date:
1 May 1765
Reference:
22038i
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About this work

Description

Bible. N.T. Luke 2.21. The circumcision scene has a wide reaching symbolic resonance: it shows the first shedding of the blood of Christ, hence the beginning of the Passion; it is the moment Christ is named; furthermore it displays the Judaism through which Christianity must pass

Publication/Creation

London (Cheapside) : Publish'd according to act of Parliament by J. Boydell, 1 May 1765.

Physical description

1 print : etching ; platemark 32.4 x 24.2 cm

Lettering

The circumcision. From the original picture painted by Guido Reni, in the collection of Sir Peter Leicester, Bart. to whom this plate is most humbly dedicated, by his most obliged & obed.t humble sev.t J. Boydell. Size of the picture I 23 ¾ by I 29 ¾ in height. Guido Reni pinx.t. R.d Earlom delin.t F. Aliamet sculp.t Bears number: 19

References note

Marcel Roux, Inventaire du fonds français, graveurs du dix-huitième siècle, Bibliothèque nationale, Cabinet des estampes, vol. 1, Paris 1931, p. 19, F.G. Aliamet no. 3 ("3. 'The circumcision. From the original picture, painted by Guido Reni, in the collection of Sir Peter Leicester, Bart to whom this plate is most humbly dedicated, ...' Sous le tr. c. : 'Guido Reni pinxt Rd Earlom delint F. Aliamet sculpt'. Au bas : 'No. 19. Publish'd according to Act of Parliamt by J. Boydell, engraver, in Cheapside London; May 1st 1765.' Armes à la marge. H. 0m452 x L. 0m366. L'état décrit, 4 épr… Selon Mariette, qui la goûtait fort peu, cette estampe fut gravée en 1755 (Abecedario, IV, p. 364).")

Reference

Wellcome Collection 22038i

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