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A woman plays music to a stag; God condemns Adam and Eve to exile; representing the sense of hearing. Engraving by N. de Bruyn after M. de Vos.
Vos, Maarten de, 1532-1603Reference: 26959i
Part of: The five senses (Martin de Vos)
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The knowledge of good and evil, and the consequences of that knowledge, with Adam and Eve and the serpent. Engraving by J. Sadeler, 1583, after M. de Vos.
Vos, Maarten de, 1532-1603.Date: 1583Reference: 46961i
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A tortoise climbs up a female figure as she reaches out to a bird; in the background Adam and Eve are chased from Eden by the archangel Michael with his sword; representing the sense of touch. Engraving by N. de Bruyn after M. de Vos.
Vos, Maarten de, 1532-1603Reference: 26960i
Part of: The five senses (Martin de Vos)
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A serpent/woman coils around the tree of life which stands between Adam and Eve. Engraving by J.T. Richomme, 1814, after Raphaël.
Raphael, 1483-1520.Date: 1814Reference: 20697i
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Adam and Eve are expelled from Eden by a sword-bearing angel. Lithograph by N. Consoni after Raphael.
Raphael, 1483-1520.Date: 1800-1899Reference: 20700i
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Eve receives the forbidden fruit from a serpent in the shape of a woman; the angel expels Adam and Eve from paradise. Engraving by A. Capellan, 1772, after Michelangelo.
Michelangelo Buonarroti, 1475-1564.Date: [1773]Reference: 20426i
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Eve is reproached for eating the forbidden fruit. Etching by J.E. Ridinger after himself, c. 1750.
Ridinger, Johann Elias, 1698-1767.Reference: 20796i
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Adam and Eve expelled from Eden by an angel with a flaming sword. Line engraving by R. Sadeler after M. de Vos, 1583.
Vos, Maarten de, 1532-1603.Date: 1583Reference: 15645i
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Adam and Eve with the serpent and other animals in the garden of Eden. Engraving by C.J. Visscher after N. de Bruyn.
Bruyn, Nicolaes de, 1571-1656.Reference: 20362i
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Truth held forth and maintained according to the testimony of the holy prophets, Christ and his Apostles recorded in the Holy Scriptures : with some account of the judgments of the Lord lately inflicted upon New-England by witchcraft : to which is added, Something concerning the fall of Adam, his state in the fall, and way of restoration to God again, with many other weighty things ... / written in true love to the souls of my neighbours and all men, which includeth that love to them and myself, by Thomas Maule.
Mall, Thomas, 1629 or 1630-Date: 1695
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A woman-serpent bends around the Tree of Knowledge as Adam and Eve reach into the branches. Line engraving by T. de Bry after J. van Winghe.
Winghe, Jodocus van, 1544-1603.Reference: 15624i
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The life of mankind from the Fall of Man to the Flood: episodes in the book of Genesis, IV-VII. Engravings by Jan Sadeler, 1586, after M. de Vos.
Vos, Maarten de, 1532-1603.Date: 1586Reference: 654807i
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An angel expels Adam and Eve from paradise. Engraving by Levasseur, 18--, after G. Cesari, il Cavaliere d'Arpino.
Cesari, Giuseppe, 1568-1640.Date: 1800-1899Reference: 2917581i
Part of: Musée français.
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God looks on unimpressed as Adam blames Eve for the transgression. Engraving by P.I. Drevet, c. 1720, after N. Coypel.
Coypel, Noël, the elder, 1628-1707.Reference: 20347i
Books
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The Ophion: or, the theology of the serpent and the unity of God. Comprehending the customs of the most ancient people, who were instructed to apply the sagacity of the serpent, to the fall of man. With critical remarks on Dr. Adam Clarke's annotations on that subject in the book of Genesis. In this work it is shown, from the original language, that, in every age of the Jewish and Christian churches, a monkey was never understood to be the agent employed to bring about the fall of man / By John Bellamy.
Bellamy, John, 1755-1842.Date: 1811
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In the Garden of Eden, while the serpent curls around the tree of knowledge, Eve is about to taste the apple. Coloured etching, 17--.
Date: [between 1700 and 1799]Reference: 15587i
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Adam and Eve are expelled from Eden by a sword-bearing angel. Woodcut.
Reference: 15642i
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Saint Michael the Archangel shows Adam the future sinfulness of mankind exemplified by Cain and Abel. Etching.
Date: 1700-1799Reference: 2489306i

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A woman plays music to a stag; God condemns Adam and Eve to exile; representing the sense of hearing. Engraving by N. de Bruyn after M. de Vos.

The knowledge of good and evil, and the consequences of that knowledge, with Adam and Eve and the serpent. Engraving by J. Sadeler, 1583, after M. de Vos.

A tortoise climbs up a female figure as she reaches out to a bird; in the background Adam and Eve are chased from Eden by the archangel Michael with his sword; representing the sense of touch. Engraving by N. de Bruyn after M. de Vos.

A serpent/woman coils around the tree of life which stands between Adam and Eve. Engraving by J.T. Richomme, 1814, after Raphaël.

Adam and Eve are expelled from Eden by a sword-bearing angel. Lithograph by N. Consoni after Raphael.

Eve receives the forbidden fruit from a serpent in the shape of a woman; the angel expels Adam and Eve from paradise. Engraving by A. Capellan, 1772, after Michelangelo.

Eve is reproached for eating the forbidden fruit. Etching by J.E. Ridinger after himself, c. 1750.

Adam and Eve expelled from Eden by an angel with a flaming sword. Line engraving by R. Sadeler after M. de Vos, 1583.

Adam and Eve with the serpent and other animals in the garden of Eden. Engraving by C.J. Visscher after N. de Bruyn.

A woman-serpent bends around the Tree of Knowledge as Adam and Eve reach into the branches. Line engraving by T. de Bry after J. van Winghe.

The life of mankind from the Fall of Man to the Flood: episodes in the book of Genesis, IV-VII. Engravings by Jan Sadeler, 1586, after M. de Vos.

An angel expels Adam and Eve from paradise. Engraving by Levasseur, 18--, after G. Cesari, il Cavaliere d'Arpino.

God looks on unimpressed as Adam blames Eve for the transgression. Engraving by P.I. Drevet, c. 1720, after N. Coypel.

In the Garden of Eden, while the serpent curls around the tree of knowledge, Eve is about to taste the apple. Coloured etching, 17--.

Adam and Eve are expelled from Eden by a sword-bearing angel. Woodcut.

Saint Michael the Archangel shows Adam the future sinfulness of mankind exemplified by Cain and Abel. Etching.