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A man in bedclothes prising insects (?) off his bed-curtains with a fork into a saucepan. Etching by T.L. Busby, ca. 1826.
Busby, Thomas Lord.Date: [1826?]Reference: 726202iPart of: Busby's humorous etchings.
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Saint Mary (the Blessed Virgin) with the Christ Child. Etching by G. Canale, 1775.
Date: 1775Reference: 10406iPart of: Etchings after Raphael, Parmigianino, Reni and other masters.
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Saint Elizabeth with the infant Saint John the Baptist (?). Etching by G. Canale, 1775.
Date: 1775Reference: 10407iPart of: Etchings after Raphael, Parmigianino, Reni and other masters.
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Saint Mary (the Blessed Virgin) with Saint Joseph and the Christ Child. Etching by G. Canale.
Date: 1775Reference: 10408iPart of: Etchings after Raphael, Parmigianino, Reni and other masters.
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Saint Mary (the Blessed Virgin) and Saint Joseph with the Christ Child. Etching by G. Canale.
Date: 1775Reference: 10409iPart of: Etchings after Raphael, Parmigianino, Reni and other masters.
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Saint Mary (the Blessed Virgin) and Saint Joseph with the Christ Child. Etching by G. Canale.
Date: 1775Reference: 10410iPart of: Etchings after Raphael, Parmigianino, Reni and other masters.
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Men around a table yawning. Etching by T.L. Busby, ca. 1826.
Busby, Thomas Lord.Date: [1826?]Reference: 726149iPart of: Busby's humorous etchings.
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A drunken woman standing in the street in St Giles's, London. Coloured etching by T.L. Busby, ca. 1826.
Busby, Thomas Lord.Date: [1826?]Reference: 726192iPart of: Busby's humorous etchings.
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A shopkeeper sews up his wife's mouth to stop her from nagging. Coloured etching by T.L. Busby, ca. 1826.
Busby, Thomas Lord.Date: [1826?]Reference: 726191iPart of: Busby's humorous etchings.
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A gouty man at table with a bon viveur drinking champagne (a pun on "pain"). Coloured etching by T.L. Busby, 1826.
Busby, Thomas Lord.Date: 1826Reference: 664596iPart of: Busby's humorous etchings
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A poor depressed man prepares to hang himself in a noose attached to the ceiling. Etching by T.L. Busby, ca. 1826.
Busby, Thomas Lord.Date: [1826?]Reference: 726147iPart of: Busby's humorous etchings.
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A lunatic in a barred cell imagines himself to be a leading actor in a melodrama. Etching by T.L. Busby, ca. 1826.
Busby, Thomas Lord.Date: [1826?]Reference: 726148iPart of: Busby's humorous etchings.
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A mad dog on the run in a London street: citizens attack it as it approaches a woman who has fallen over. Coloured etching by T.L. Busby, 1826.
Busby, Thomas Lord.Date: 1826Reference: 663745iPart of: Busby's humorous etchings
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A butcher's boy, reading to improve his mind, is so absorbed in his book that his delivery of meat is stolen by a passer-by. Coloured etching by T.L. Busby, 1826.
Busby, Thomas Lord.Date: 1826Reference: 664648iPart of: Busby's humorous etchings
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Boniface consulting a doctor about the fullness of his stomach. Coloured engraving by T.L. Busby, 1827.
Busby, Thomas Lord.Date: 1827Reference: 10964iPart of: Busby's humorous etchings
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The genius of painting, preferring sacred to secular history, brings to the public the history of Samson, and writes a dedication to E. Colbert. Etching by J. Gillet and F. Verdier after F. Verdier, 1698.
Verdier, François, 1651-1730.Date: 1698Reference: 18395iPart of: Episodes in the life of Samson. Etchings after F. Verdier
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Pinelli etching Virgil and Dante, the plate being examined by monsters who are watched on the right by Virgil and Dante. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661779iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.
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The giant Antaeus carries Virgil and Dante to the Ninth Circle of Hell. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661784iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.
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Dante and Virgil watching heretics in hell ripping their bodies apart as punishment for schism. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661783iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.
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Thieves being tortured by snakes in the 8th circle of Hell, watched by Dante and Virgil. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661781iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.
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Dante and Virgil watching Bertrand de Born hold his head away from his body to illustrate the spreading of disunity. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661782iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.
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Virgil and Dante sitting on the back of Geryon to be transported from the 8th to the 7th circle of Hell. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661780iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.
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The death of infants: a skeleton representing Death grabs and eats infants who die innocent of vice but unendowed with the theological virtues. Etching by B. Pinelli, 1825.
Pinelli, Bartolomeo, 1781-1835.Date: 1825Reference: 661785iPart of: Episodes in Dante's Divine comedy. Etchings by B. Pinelli, 1824-1826.
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The young Samson excels on the battlefield. Etching by J.B. de Poilly after F. Verdier, 1698.
Verdier, François, 1651-1730.Date: 1698Reference: 18396iPart of: Histoire de Samson
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Samson kills the lion with his bare hands. Etching by J.B. de Poilly after F. Verdier, 1698.
Verdier, François, 1651-1730.Date: 1698Reference: 18451iPart of: Histoire de Samson