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The Kent and Canterbury Hospital, Canterbury. Line engraving by Lester, 1810, after R. Dighton.
Dighton, Robert, 1752-1814.Date: June 1810Reference: 16411i
Pictures
Online
James Wood. Coloured etching by Robert Dighton, 1809.
Dighton, Robert, 1752-1814.Date: 1809Reference: 9769i
Pictures
Online
A barber playing the tragic role of Alexander the Great in the acting style of David Garrick. Mezzotint after R. Dighton.
Dighton, Robert, 1752-1814.Date: [1788?]Reference: 29532i
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Three affluent doctors congratulating themselves on their profession. Coloured mezzotint, 1793, after Robert Dighton.
Dighton, Robert, 1752-1814.Date: Published as the Act directs 4 June 1793Reference: 10771i
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Online
Twenty-five moral tales. Line engraving after [R.] Dighton after B. Franklin.
Franklin, Benjamin, 1706-1790.Date: [between 1830 and 1839?]Reference: 9916i
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Online
The figure of a woman representing the map of Scotland. Etching by Robert Dighton, 1794.
Dighton, Robert, 1752-1814.Date: [1793?]Reference: 36110i
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Online
A Greenwich Pensioner sits with a Chelsea Pensioner, telling stories of their campaigns: each is disabled in various ways. Coloured etching by Robert Dighton, 1801.
Dighton, Robert, 1752-1814.Date: March 1801Reference: 31329i
Pictures
Online
A woman shown half as clothed human being and half as skeleton. Coloured etching, 17--.
Dighton, Robert, 1752-1814.Date: [between 1700 and 1799]Reference: 35838i
Pictures
Online
John Grosvenor. Coloured etching by Robert Dighton, 1808.
Dighton, Robert, 1752-1814.Reference: 3820i
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King George III. Coloured etching by R. Dighton, 1810.
Dighton, Robert, 1752-1814.Date: Oct.r 23rd 1810Reference: 2000668i
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Online
John Ireland. Coloured etching by Robert Dighton, 1807.
Dighton, Robert, 1752-1814.Reference: 4675i
Pictures
Online
Samuel Horsley, Bishop of St. Asaph. Coloured etching by Robert Dighton, 1809.
Dighton, Robert, 1752-1814.Date: 1809Reference: 4343i
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Online
A London dentist extracting a tooth from a woman's mouth; her female companion and the dentist's black servant-boy are present. Coloured mezzotint after Robert Dighton, ca. 1784.
Dighton, Robert, 1752-1814.Date: [1784?]Reference: 583664i
Pictures
Online
A man, half human and half skeleton. Coloured etching after R. Dighton, 17--.
Dighton, Robert, 1752-1814.Date: [between 1700 and 1799]Reference: 35845i

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The Kent and Canterbury Hospital, Canterbury. Line engraving by Lester, 1810, after R. Dighton.

James Wood. Coloured etching by Robert Dighton, 1809.

A barber playing the tragic role of Alexander the Great in the acting style of David Garrick. Mezzotint after R. Dighton.

Three affluent doctors congratulating themselves on their profession. Coloured mezzotint, 1793, after Robert Dighton.

Twenty-five moral tales. Line engraving after [R.] Dighton after B. Franklin.

The figure of a woman representing the map of Scotland. Etching by Robert Dighton, 1794.

A Greenwich Pensioner sits with a Chelsea Pensioner, telling stories of their campaigns: each is disabled in various ways. Coloured etching by Robert Dighton, 1801.

A woman shown half as clothed human being and half as skeleton. Coloured etching, 17--.

John Grosvenor. Coloured etching by Robert Dighton, 1808.

King George III. Coloured etching by R. Dighton, 1810.

John Ireland. Coloured etching by Robert Dighton, 1807.

Samuel Horsley, Bishop of St. Asaph. Coloured etching by Robert Dighton, 1809.

A London dentist extracting a tooth from a woman's mouth; her female companion and the dentist's black servant-boy are present. Coloured mezzotint after Robert Dighton, ca. 1784.

A man, half human and half skeleton. Coloured etching after R. Dighton, 17--.

Wellcome uses cookies.

Works search

Active filters:

The Kent and Canterbury Hospital, Canterbury. Line engraving by Lester, 1810, after R. Dighton.

James Wood. Coloured etching by Robert Dighton, 1809.

A barber playing the tragic role of Alexander the Great in the acting style of David Garrick. Mezzotint after R. Dighton.

Three affluent doctors congratulating themselves on their profession. Coloured mezzotint, 1793, after Robert Dighton.

Twenty-five moral tales. Line engraving after [R.] Dighton after B. Franklin.

The figure of a woman representing the map of Scotland. Etching by Robert Dighton, 1794.

A Greenwich Pensioner sits with a Chelsea Pensioner, telling stories of their campaigns: each is disabled in various ways. Coloured etching by Robert Dighton, 1801.

A woman shown half as clothed human being and half as skeleton. Coloured etching, 17--.

John Grosvenor. Coloured etching by Robert Dighton, 1808.

King George III. Coloured etching by R. Dighton, 1810.

John Ireland. Coloured etching by Robert Dighton, 1807.

Samuel Horsley, Bishop of St. Asaph. Coloured etching by Robert Dighton, 1809.

A London dentist extracting a tooth from a woman's mouth; her female companion and the dentist's black servant-boy are present. Coloured mezzotint after Robert Dighton, ca. 1784.

A man, half human and half skeleton. Coloured etching after R. Dighton, 17--.