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  • Brain and nerve cells in their healthy state and after injury by alcohol. Colour lithograph, ca. 1920.
  • Bovril : those who go down to the sea in ships have perhaps more need for Bovril than any other class of men / [Bovril Limited].
  • Death-rates in pneumonia increase with alcoholic habits.
  • An abstinent gentleman is read to in the park by a boy. Lithograph, c. 1840, after T. Wilson.
  • A man standing in a law court vows to reform to temperance. Lithograph, c. 1840, after T. Wilson.
  • A well attended meeting of "total abstainers" in the Sadler's Wells Theatre. Wood engraving, c. 1854, after G. Cruikshank.
  • A French hospital for wounded soldiers, World War I: patients seated at a drunken dinner table and two bedridden patients with some meagre chips. Colour lithograph after L. Ibels, 1916.
  • Independent Order of Rechabites : the abstainers' Friendly Society ... : [Calendar] 1938.
  • Social questions in the orient : great mass meeting (under the auspices of the Anti-Opium Urgency Committee, the Christian Union for the Severance of the Connection of the British Empire with the Opium Trade, and the World's W.C.T.U.) in the Central Hall, Newcastle-0n-Tyne, Friday evening, November 23rd, 1894.
  • A profile of a man interpreted by Lavater to be indolent, idle, and a drunkard. Drawing, c. 1789.
  • The beneficial effects of temperance on a man and his family. Lithograph, c. 1840, after Gunthorp.
  • A woman pouring wine from a jug into a goblet; representing the virtue of temperance. Etching, 16--.
  • A drunken Doctor Drainbarrel is placed in a wheelbarrow and carted home from the inn. Coloured etching by T. Rowlandson, 1810.
  • An American woman preaching Prohibition to a crowd of well-dressed American citizens. Colour lithograph, 192-.
  • I wonder what next they will do : the great topical song / written by Charles Merion ; composed by Vincent Davies ; sung by Herbert Campbell in the successful pantomime, The Grim Goblin, at the Grecian Theatre.
  • The harmful effects of wine. Colour lithograph, ca. 1920.
  • A skeleton clutching a bottle labelled "Alcoholisme"; advertising an exhibition on alcohol abuse in the Hague, 1911. Lithograph, 1911, after F.M.
  • Alcoholism in Russia: brawling and starvation as the results of drinking alcoholic drinks, contrasted with prosperity resulting from abstinence from alcohol. Colour lithograph by T. Nemkova, 1990.
  • The effects of temperance on a man and his household. Lithograph, c. 1840, after Gunthorp.
  • The tree of intemperance, showing diseases and vices caused by alcohol. Coloured lithograph, 18--.
  • A drunkard stands before his poor family and swears by the Holy Bible. Wood-engraving by J. Johnston, c. 1864, after G. Cruikshank.
  • Five men drinking and smoking round a table in a large open room. Mezzotint after a painting by A. van Ostade, 1665.
  • A labourer asks a gentleman for his wages so that he may get drunk; both represented as dwarfs. Coloured etching after M. Engelbrecht, 1715.
  • A reformed gentleman sits reading the "Teetotaler", surrounded by his wife, children and father. Lithograph, c. 1840, after T. Wilson.
  • A French hospital for wounded soldiers, World War I: two nurses have lunch at a patisserie, the others have a drunken meal at the hospital. Colour lithograph after L. Ibels, 1916.
  • A man and woman use a redeveloped clyster for scatological, intoxicating purposes (?). Coloured reproduction of an etching after G. de Cari.
  • Social questions in the orient : great mass meeting (under the auspices of the Anti-Opium Urgency Committee, the Christian Union for the Severance of the Connection of the British Empire with the Opium Trade, and the World's W.C.T.U.) in the Central Hall, Newcastle-0n-Tyne, Friday evening, November 23rd, 1894.
  • Hints designed to promote beneficence, temperance, and medical science. Vol. 1 / [John Coakley Lettsom].
  • Women eject a drunk and publican from a bar in a crusade against drunkenness. Wood-engraving by A. Joliet, c. 1875, after Castelli.
  • Thomas Wood, an abstemious miller, aged 53. Reproduction of a stipple engraving by R. Cooper after J. Ogborne, 1773.