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27 results filtered with: Shades and shadows
  • Christ stands among sick people ('The hundred guilder print'). Etching after Rembrandt, 1649.
  • Christ stands among sick people and Pharisees ('The hundred guilder print'). Etching by J.P. Le Bas, 1776, after Rembrandt, 1649.
  • Christ raises Lazarus from his tomb. Etching by G.B. Castiglione.
  • The flight into Egypt in the night, illuminated by the moon and the milky way. Engraving by H. Goudt, 1613, after A. Elsheimer, 1609.
  • Sunshine (left): a woman with a jug; darkness (right): a witch with time and death. Watercolour by M. Bishop, 1971.
  • Christ among sick people and the Pharisees ('The hundred guilder print'). Wood engraving by H. Linton after T. Beech (?) after Rembrandt, 1649.
  • A man frightened by his own shadow. Wood engraving, 18--.
  • The back of a man sitting by a fire to light his pipe. Etching, 1849, after C. Jacque.
  • Christ among sick people and Pharisees.
  • Diagrams of shadows, and renderings of architectural elements with shadows. Lithograph by Mackay & Kirkwood, 1860.
  • The sick and lame bend before the apostle Peter, hoping for cure. Coloured lithograph, 1863, after Masaccio.
  • Christ, praying in the light, raises Lazarus from his tomb. Etching after J. Lievens, 1631.
  • Christ raises Lazarus from his tomb. Etching by S. Castiglione, 1645.
  • A man who has lost use of his limbs by taking a risk. Colour lithograph by R..l (?), 1929.
  • Sunshine (left): a woman with a jug; darkness (right): a witch with time and death. Watercolour by M. Bishop, 1971.
  • Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.
  • The birth of Christ among ruins. Engraving by J. Sadeler after Polidoro da Caravaggio.
  • People eating in the shade beneath a tree; representing June. Etching by G. Perelle, c. 1660.
  • Four men whose distorted shadows are cast on the wall:a an apothecary casting the shadow of a clyster, a censor casting the shadow of a devil, a hereditary peer casting the shadow of a pig, and a Jesuit casting the shadow of a turkey. Coloured lithograph by J.J. Grandville, 1830.
  • A boy casting the shadow of an adult, referring to the danger of inherited venereal disease. Colour lithograph after Reginald Mount.
  • A skeleton and its shadow. Pen and ink drawing by Joyce Cutler Shaw, 1992.
  • A woman representing truth sits in a chemical laboratory and points at the source of a ray of light, representing philosophy. Engraving by Crabb, 1817, after G.M. Brighty.
  • Leonidas Avendaño Ureta. Photograph.
  • Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.
  • A woman personifying anatomy looks searchingly into the light emanating from a corpse, but she is mortally threatened by the scythe of Time; representing anatomy's struggle with decay. Engraving by N-G. Dupuis, 1759, after J-B-M. Pierre.
  • Ahasuerus (the Wandering Jew) man sits in hell among the shades, decrepit and tormented by Satan. Wood engraving by F.J. Gauchard after G. Doré, 1856.
  • The sick and lame bend before the apostle Peter, hoping for cure. Coloured lithograph, 1863, after Masaccio.