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  • A male écorché holding a knife in his left hand, exposing his bowel with his right hand, and resting his right foot on a slab on which a cadaver lies supine. Engraving by G. Bonasone, 155-.
  • A man, écorché, in the pose of an orator: anterior view. Line engraving by A. Bell after W. Cowper, 1798.
  • An écorché face showing the state of the facial muscles during relaxation. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • A standing écorché figure, seen from behind, showing the first layer of the muscles. Colour mezzotint by A. E. Gautier d'Agoty after himself, 1773.
  • Myotomia reformata: or an anatomical treatise on the muscles of the human body ... To which is prefix'd an introduction concerning muscular motion / [William Cowper].
  • Myotomia reformata: or an anatomical treatise on the muscles of the human body ... To which is prefix'd an introduction concerning muscular motion / [William Cowper].
  • Muscles of the head and neck: two écorché figures. Watercolour by A. Mongrédien, ca. 1880.
  • The muscles of the body seen from the back and the diaphragm (at the lower right). Engraving, 1686.
  • Muscles of the leg: left leg right anterior view (left); left leg right anterior view (centre); right leg right posterior view (right).
  • An écorché showing bones, with left arm extended to the side, seen from the front: diagram showing the outlines of the muscles & bones. Line engraving by Campbell, 1816/1821.
  • Muscles of the shoulder, upper and lower arm. Engraving after G. de Lairesse, 1739.
  • A compleat treatise of the muscles : as they appear in humane body, and arise in dissection; with diverse anatomical observations not yet discover'd. Illustrated by near fourty copper-plates, accurately delineated and engraven / By John Browne.
  • A compleat treatise of the muscles : as they appear in humane body, and arise in dissection; with diverse anatomical observations not yet discover'd. Illustrated by near fourty copper-plates, accurately delineated and engraven / By John Browne.
  • Muscles of the neck, tongue and jaws. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • In all muscular pain Tab. Lobak : why should Lobak work in neck sprain?.
  • Muscleman, in a landscape, seen from behind. Photolithograph, 1940, after a woodcut, 1543.
  • Don't waste your time or money on ROT! : Here's what I'm ready to do: I'll prove in just 7 days YOU can have a body like mine / Charles Atlas.
  • Muscles of the back: partial dissection of a seated woman, showing the bones and muscles of the back and shoulder. Colour mezzotint by J.F. Gautier d'Agoty, 1745/1746.
  • Muscles of the thorax and abdomen: écorchés figures. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745/1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • The muscles of the lower arm: the left forearm is seen twice, crossed over and resting on the right forearm and extending from the shoulder. Drawing after Peter Paul Rubens, c. 1610.
  • Muscles of the arm [?]. Pencil drawing by A. Mongrédien, ca. 1880.
  • Muscles of the head and neck. Line engraving by A. Bell after G. Bidloo, 1798.
  • Wax models of the head and neck (figs 1-3), and of the right hemisphere of the brain (figs 4-5), made by G. G. Zumbo. Engraving by J. Robert after M. Basseporte, 1749.
  • An écorché showing bones, with left arm extended to the side, seen from the front. Line engraving by Campbell, 1816/1821.
  • A male écorché holding a knife in his left hand, exposing his bowel with his right hand, and resting his right foot on a slab on which a cadaver lies supine. Engraving by G. Bonasone, 155-.
  • An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.
  • Muscles of the head. Colour mezzotint by J.F. Gautier d'Agoty, 1748.
  • An écorché figure with left arm extended, seen from the front, showing the second layer of muscles. Pen and ink drawing, 1830/1835?, after line engraving by A. Bell, 1777/1778, after B.S. Albinus, ca. 1747.