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  • Family background of Robert Wilson, patient at the Manor House Asylum, Chiswick upon his admitance on December 5th 1896
  • The transfiguration of Christ; Moses and Elijah appear alongside him. Etching by M. Küssell after J.W. Baur.
  • Solomon judges the case of the two harlots and their babies. Line engraving by J. Eisenhardt, 1847, after E. von Steinle.
  • Medical case history of Robert Wilson, patient at the Manor House Asylum, Chiswick. 1892 - 1907
  • Personifications of law, medicine and theology argue over the superiority of their respective professions. Engraving by GWHWHNM, ca. 1720.
  • Micklegate Bar, Hospital of St. Thomas, York, England. Engraving by W. Byrne and T. Medland, 1782, after T. Hearne.
  • One of the women whose child has died and whom Solomon will judge. Stipple engraving after N. Poussin.
  • Medical case history of Robert Wilson, patient at the Manor House Asylum, Chiswick. 1892 - 1907
  • A doctor of law and medicine in traditional costume, Lombardy. Pencil drawing by the librarian of the University of Padua 1915.
  • First page of Medical Case histories of patients
  • A woman bearing a sword and measuring scales; representing justice. Engraving by P. Ghigi after L. Agricola after Raphael.
  • Frontispiece of Medical Case histories of patients
  • Medical case history of Robert Wilson, patient at the Manor House Asylum, Chiswick. 1892 - 1907
  • Anno XXXII. Henrici octavi. In the parlyamente Begon // at Westm̄. the. xxviii. of Apryll, the .xxxii. [i.e. xxxi] yeare of // the reygne of the moste excellente, most hyghe, and moste // myghty prynce, Henrye the eyghte by the // grace of God kynge of Englande and of // Fraunce, the actes folowing ... have bene established.
  • Allegorical figures hold up two scrolls, separated by a spider's web: one shows a straight line between "Charitas" and "Iustitia"; the other a crooked line between "Invidia" and "Avaritia". Etching by C. Murer after himself, c. 1600-1614.
  • Solomon judges the case of the two harlots. Colour etching by C. Ploos van Amstel, 1782, after L. van Leyden.
  • Medical case history of Robert Wilson, patient at the Manor House Asylum, Chiswick. 1892 - 1907
  • The transfiguration of Christ. Etching.
  • The transfiguration of Christ. Drawing by F. Rosaspina, c. 1830, after L. Carracci.
  • Susanna's innocence is proven by the young prophet Daniel. Engraving by E.G. Krüger after J-H. Fragonard after Valentin de Boulogne.
  • Medical case history of Robert Wilson, patient at the Manor House Asylum, Chiswick. 1892 - 1907
  • A drunken Bacchus cavorts atop the globe, accompanied by Fortune; to his right physicians and quacks fight for legitimacy; to his left the scales held by a blindfold Justice are tipped by a lawyer's money: an allegory of the world of justice and health overturned into one of chance and greed. Coloured etching by Daniël Veelwaard I after J. Smies, 1809.
  • Christ heals a man with dropsy while the Pharisees and lawyers criticise him for healing on a Sunday; Pharisees feast in the background; children play with a donkey on the right. Engraving by E. Rouargue.
  • Medical case history of Robert Wilson, patient at the Manor House Asylum, Chiswick. 1892 - 1907
  • Six examples of "the march of intellect". Coloured etching by R. Seymour, 1829.