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  • A woman, the physiognomy of whom expresses attention excited by desire. Drawing, c. 1794.
  • Phrenological diagrams of the skull and brain, with three portraits: Laurence Sterne, a mathematician, and Shakespeare; exemplifying the faculties of wit, number and imagination respectively. Engraving by H. Sawyer after W. Byam, 1818.
  • Designs of ears and eyes. Engraving after C. Le Brun.
  • Frontispiece to an English edition of Charles Le Brun's 'Expressions of the passions of the soul' (left); a face expressing attention. Engraving, c. 1760, after C. Le Brun.
  • A female face expressing admiration. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • A woman's head, expressive of sublime compassion. Drawing, c. 1791, after Raphael.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • An écorché face showing the movements of facial muscles during laughter. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • Six faces expressing the passions: (clockwise from top left) joy, fear, pity, scorn, anger, and grief. Engraving by Silvester, 1807.
  • The face of a man expressing simple bodily pain. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • One of two scenes from the Naya-nayika set of lovers' quarrels. Chromolithograph.
  • Cupid presides over a group of naked women who sit separated from groups of yearning men; symbolising the passion of love. Etching by J. Audran after C. Gillot.
  • Ten faces expressing the human passions. Engraving by Barlow after C. Le Brun.
  • Two faces showing joy and laughter. Etching by B. Picart, 1713, after C. Le Brun.
  • An écorché face weeping, showing the muscles involved. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • A frontal outline and a profile of faces expressing anger. Etching by B. Picart, 1713, after C. Le Brun.
  • An opinionated child ignores his parents; representing the faculty of obstinacy in phrenology. Steel engraving, 1847, after H. Bruyères.
  • A laughing face. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Designs showing the lower half of the face in various physiognomies and actions. Engraving after C. Le Brun.
  • Krishna embracing Radha. Chromolithograph by R. Varma.
  • An écorché face showing the state of the facial muscles during relaxation. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • Two lovers surrounded by an oval frame. Watercolour drawing.
  • A woman expressing attention, desire and hope. Drawing, c. 1788, after Raphael.
  • Drunken sailors round a table cheering and throwing their hats in the air as a man with a wooden leg recounts the Battle of the Nile. Reproduction of an etching by C. H., c. 1825, after G. Cruikshank.
  • A man's face inclined forward, expressing compassion. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Sixteen faces expressing the human passions. Coloured engraving by J. Pass, 1821, after C. Le Brun.
  • A swan telling Damayanti of Nala's love. Chromolithograph by R. Varma.
  • Sakuntala with two women surprised by King Dushyanta. Chromolithograph.
  • Dandies at the opera, one of them swooning, overcome with emotion. Coloured etching by I.R. Cruikshank, 1818.
  • The face of a man in a state of anger. Engraving by J. Tinney, ca. 1730/1740, after C. Le Brun.