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  • A title page illustrated with two eagles and a vulture holding a sheep's skin between them. Engraving, ca. 1690, after F. Barlow.
  • A surgeon setting a leg with the aid of three assistants, observed by onlookers, in front of walls on which various surgical instruments are arranged. Engraving by Jacob van Meurs, 1657.
  • An allegorical figure holding torches seated on a baroque monument; the symbols of the four evangelists above her, and Saint Thomas Aquinas and Galen at her side. Engraving by Jacob Bruynel after A. van Diepenbeeck, 1666.
  • A man consulting a physician who examines a flask of his urine. Engraving, 1644.
  • Athanasius Kircher being guided by an archangel to the celestial spheres. Engraving by J.F. Fleischberger, 1660.
  • Two men with horses in front of a classical monument decorated with the head of a horse on the pediment; horse-riders in the background. Engraving after J. de Solleysel, 17--.
  • Reinier de Graaf: allegory of anatomy, engraved titlepage to his Opera omnia. Line engraving by P. Pinchard, 1678.
  • The Tetragrammaton and orders of heaven surmounting portraits of famous medical philosophers (Aesculapius, Hippocrates, Galen, Avicenna etc.) and John Woodall. Engraving by G. Glover, 1639.
  • Ancient anatomists in discussion around a cadaver. Engraving by G. Appelmans, 1674.
  • Women personifying the continents of Europe, Africa and Asia, are protected by Father Time, while a woman personifying antiquity points to the value of ancient coins. Engraving by M. van der Gucht after P. Berchet.
  • Above, a man studying the entrails of a cadaver as the microcosm, with the macrocosm behind; below, Hippocrates, holding the staff of Aesculapius, and Galen; bottom, instruments for anatomy and surgery. Engraving by A. Santvoort, ca. 1650.
  • Aesculapius, representing medicine, receives homage from putti who bring him symbols of botany, natural history, chemistry and anatomy. Engraving by A. Nunzer, 1748.
  • Frederick III, Elector of Saxony (Frederick the Wise) and Martin Luther kneeling at the feet of Christ on the cross. Woodcut, 1555.
  • Title page to Avium vivae icones adorned with two cherubs and various birds. Engraving by A. Collaert, ca. 1610.
  • Aurelius Cornelius Celsus: titlepage to De medicina libri octo. Letterpress, 1746.
  • A palatial building representing the Academia Caesareo-Leopoldina Naturae Curiosorum, surmounted by a coat of arms; two seated figures in the foreground. Engraving by J.G. Pintz, 17--.
  • A man is opening a door to reveal the landscape of China; cherubim playing with a map and a globe showing China as described by Martino Martini. Engraving, ca. 1655.
  • Worthy pastimes of olden times contrasted with vices of the present day. Engraving, c. 1627, after S. Ward.
  • An architectural loggia of Corinthian columns and pilasters with Adam and Eve. Engraving by P. Huys after L. van Noort, 1568.
  • Above, treatment of gout, below, obstetrics. Engraving.
  • A man blowing out clouds of smoke from a long pipe, with a tobacco plant to his right. Halftone, c. 1890, after a woodcut, c. 1616.
  • Above, a seated woman representing Latium (Lazio) or Rome; below, a triton, a river god and a winged woman, representing the Tiber. Etching by R. de Hooghe, 1671.
  • An anatomical dissection by Reinier de Graaf, taking place in a room with a patient in bed. Reproduction, 1927, of an engraving by G. Wingendorp, 1671.
  • A frame decorated with allegorical figures, swags and scrollwork; representing the Musaeum historicum et physicum of Giovanni Imperiale. Engraving, 1640.
  • A sick man reclining on a couch, men gathering plants to cure him; a man holding a staff of Aesculapius in the background. Engraving, 1709.
  • An anatomical dissection taking place in a hall decorated with musclemen and human and animal skeletons in niches. Engraving with etching, 1685.
  • Our Lady of Expectation. Coloured woodut.
  • The microcosm (man) and the macrocosm (the world). Line engraving by T. de Bry, 1617.
  • A title page illustrated with a grebe, an eagle and a heron. Engraving, ca. 1690, after F. Barlow.
  • A title page (right) embellished with illustration of people ascending steep cliffs and a book plate (left) of four birds. Engravings by S. Davenport, ca. 1821.