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  • Designs of ears and eyes. Engraving after C. Le Brun.
  • Frontispiece to an English edition of Charles Le Brun's 'Expressions of the passions of the soul' (left); a face expressing attention. Engraving, c. 1760, after C. Le Brun.
  • A female face expressing admiration. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • The face of a man expressing simple bodily pain. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • The cross bearing Christ is hoisted up before a multitude of lamenters and soldiers. Engraving by N-H. Tardieu after B. Audran after C. le Brun.
  • Ten faces expressing the human passions. Engraving by Barlow after C. Le Brun.
  • An angel rescues Hagar and Ishmael in the wilderness. Etching by E. Rooker after C. Le Brun.
  • Two faces showing joy and laughter. Etching by B. Picart, 1713, after C. Le Brun.
  • A frontal outline and a profile of faces expressing anger. Etching by B. Picart, 1713, after C. Le Brun.
  • A laughing face. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Designs showing the lower half of the face in various physiognomies and actions. Engraving after C. Le Brun.
  • Manoah and his wife pray to an angel which emerges from the flame of their altar. Line engraving by L. Desplaces after C. Le Brun.
  • A man's face inclined forward, expressing compassion. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Sixteen faces expressing the human passions. Coloured engraving by J. Pass, 1821, after C. Le Brun.
  • The face of a man in a state of anger. Engraving by J. Tinney, ca. 1730/1740, after C. Le Brun.
  • Eight physiognomies. Drawing, c. 1789, after D.N. Chodowiecki and C. Le Brun.
  • Two outlines of faces expressing admiration (left) and astonishment (right). Etching by B. Picart, 1713, after C. Le Brun.
  • Two faces: one expressing extreme despair (left), the other anger mixed with rage (right). Etching by B. Picart, 1713, after C. Le Brun.
  • Human physiognomies next to animal physiognomies, showing the relations between certain of the species. Etching, c. 1820, after C. Le Brun.
  • Outline of a face in extreme pain (left); a woman's head, showing admiration. Etching by B. Picart, 1713, after C. Le Brun.
  • A face with hair on end expressing despair. Crayon Manner print by W. Hebert, c. 1770, after C. Le Brun.
  • A series of lithographic drawings illustrative of the relation between the human physiognomy and that of the brute creation / From designs by Charles Le Brun: with remarks on the system. [Anon].
  • Two faces expressing dejection. Etching by B. Picart, 1713, after C. Le Brun.
  • A bearded man glowering with jealousy (left) and a man expressing jealousy or hatred. Etching by B. Picart, 1713, after C. Le Brun.
  • Six faces expressing the human passions: (clockwise from top left) scorn, laughter, acute pain, desire, anger, sadness. Coloured etching, c. 1800, after C. Le Brun.
  • Moses points to the brazen serpent while his people writhe on the ground, besieged by fiery serpents. Etching by G. Cooke, 1816, after C. le Brun.
  • Two faces expressing veneration and rapture. Etching, c. 1760, after C. Le Brun.
  • A face expressing hatred or jealousy. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • Three forearms and one hand. Engraving after C. Le Brun.
  • Two outlines of faces expressing joy (left) and the movement of the face in sadness (right). Etching by B. Picart, 1713, after C. Le Brun.