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Cook, Thomas, approximately 1744-1818Reset filters
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  • The good Samaritan tending to a wounded man while a priest and a Levite walk on by. Line engraving by T. Cook, 1809, after W. Hogarth.
  • Time is blowing pipe-smoke onto a painting while his scythe has sunk into the canvas; representing the ageing of paintings as they acquire Old Master status. Engraving by T. Cook after W. Hogarth.
  • Tobias George Smollett. Line engraving by T. Cook, 1785.
  • Southwark Fair, a renowned place of amusement, with a variety of theatrical establishments. Engraving by T. Cook after W. Hogarth.
  • Tom Rakewell is getting married to a one-eyed elderly hunchback in the church of St. Mary le Bone. Engraving by T. Cooke after W. Hogarth.
  • A bewigged Francis Goodchild stands with his master in the counting house raised above the level of the workshop where the weavers and spinners work, holding a ledger, a money-bag and two keys. Engraving by Thomas Cook after William Hogarth, 1795.
  • Time is blowing pipe-smoke onto a painting while his scythe has sunk into the canvas; representing the ageing of paintings as they acquire Old Master status. Engraving by T. Cook after W. Hogarth.
  • Sancho Panza (the squire of Don Quixote) , at a banquet, being starved for health reasons by his physician. Engraving by T. Cook after W. Hogarth after M. de Cervantes Saavedra.
  • A credulous congregation listening to a sermon by a fiery preacher. Engraving by T. Cook, 1798, after W. Hogarth.
  • William Cheselden. Line engraving by T. Cook after J. Richardson the elder.
  • Satire on false perspective: a landscape with absurd situations due to incorrect perspective. Engraving by T. Cook after W. Hogarth.
  • Alexander Monro. Line engraving by T. Cook, 1786, after A. Ramsay, 1749.
  • A busy street corner with traders stopping for a tankard of beer and an artist painting a pub sign. Engraving by T. Cook, c. 1800, after W. Hogarth.
  • A frustrated looking couple taking a stroll at Sadlers Wells with squabbling children around them; representing evening. Engraving by T. Cook after W. Hogarth.
  • A courtroom scene with a judge, a pregnant woman, a guilty looking man and an angry wife. Engraving by T. Cook after W. Hogarth.
  • Bernard le Bovier de Fontanelle. Line engraving by T. Cook after P. Savart.
  • A rake, Tom Rakewell, is measured for new clothes while a servant is hanging the room in black to show mourning. Engraving by T. Cook after W. Hogarth.
  • Martin Folkes. Engraving by T. Cook after W. Hogarth.
  • The lottery: the allegorical figures of virtue and vice perform a show on stage; various allegorical figures in the foreground. Engraving by T. Cook after W. Hogarth, 1724.
  • John Howard. Line engraving by T. Cook, 1790, after M. Brown.
  • In the graveyard of a church, Tom Idle gambles with some disreputable companions on a tombstone; the parish beadle stands behind and raises a stick as if to beat Idle. Engraving by Thomas Cook after William Hogarth, 1795.
  • Casting his contract into the sea, Tom Idle in a rowing boat heads towards a sailing ship past a point of land with four windmills and a prominent gibbet. Engraving by Thomas Cook after William Hogarth, 1795.
  • An old woman, the prude, is standing near a crowd of people huddled around a bonfire in Covent Garden; representing the morning. Engraving by T. Cook after W. Hogarth.
  • Foundling Hospital: above, the achievement of arms, below, Captain Coram and several children, carrying implements of work, a church and ships in the distance. Engraving by T. Cook, 1809, after W. Hogarth, 1739.
  • The good Samaritan tending to a wounded man while a priest and a Levite walk on by. Engraving by T. Cook after W. Hogarth.
  • A dishevelled Tom Rakewell in the gambling house, the obsessed gamblers are unaware of a fire breaking out in the wainscoting. Engraving by T. Cook after W. Hogarth.
  • Francis Goodchild, now Sheriff of London, and his wife, framed by a sword and mace, preside over a grand banquet. Sitting at a table in the foreground various dignitaries gorge themselves contrasting with the poor petitioners waiting at the door. Engraving by Thomas Cook after William Hogarth, 1796.
  • Foundling Hospital: above, the achievement of arms, below, Captain Coram and several children, carrying implements of work, a church and ships in the distance. Engraving by T. Cook, 1809, after W. Hogarth, 1739.
  • Henry VIII holding the hand of Ann Boleyn; Cardinal Wolsey sits by the throne on the right, Katherine of Aragon in the background. Engraving by T. Cook after W. Hogarth, 1804.
  • A scene of destruction with an overturned coach, screaming people and a bonfire; representing night. Engraving by T. Cook after W. Hogarth.