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  • Saint Mary (the Blessed Virgin) and Saint Joseph with the Christ Child. Etching by F. Bartolozzi, 1764, after G.F. Barbieri, il Guercino.
  • The month July and the sign of Leo, represented by a rural landscape in summer and Christ as the Good Shepherd. Engraving by A. Collaert after H. Bol, 1585.
  • The Virgin Mary with the Christ Child and angels, Saint John the Baptist, Saint Francis of Assisi and Saint Bernadino of Siena. Drawing by F. Rosaspina, c. 1830, after F. Zaganelli di Bosio [Francesco da Cotignola].
  • Christ appears to Saint John the Evangelist with eyes aflame and a sword in his mouth. Woodcut, 15--.
  • Saint Mary (the Blessed Virgin) with the Christ Child and Saint John the Baptist. Mezzotint with etching by J.H. Mortimer after G.F. Barbieri, il Guercino.
  • Pope John Paul II hugging a child against a backdrop of christ holding out his hands to people below him; an AIDS prevention advertisement by the Catholic Commision on AIDS. Colour lithograph, ca. 1996.
  • Christ holds up a glass heart filled with animals (sins) and cures a sick woman with the fluid from the wound in his side. Engraving by H. Goltzius, 1578.
  • Wunderheilungen und ärztliche Schutzpatrone in der bildenden Kunst / von Dr. Oskar Rosenthal.
  • The mystic marriage of Saint Catherine of Alexandria to the Christ child; Saint Joseph looks at angels who bear attributes of Saint Barbara and Saint Margaret. Drawing by F. Rosaspina, c. 1830, after A. Tiarini.
  • Saint Jude (Thaddeus). Gouache.
  • Mary (the Blessed Virgin) with the Christ Child, Saint Elizabeth with Saint John the Baptist and a male and a female donor. Drawing by F. Rosaspina, c. 1830, after I. di P. Francucci.
  • Saint Mary (the Blessed Virgin) with the Christ Child, Saint John the Baptist, Saint Catherine of Alexandria, Saint Mary Magdalen, Saint Peter the Apostle and angels. Engraving by B. Fariat after Agostino Carracci.
  • Saint Mary (the Blessed Virgin) and Saint Joseph with the Christ Child, receiving grace from God the Father and the Holy Ghost. Engraving by J. Wierix.
  • The Virgin of Mercy responding to the intercessions of saints by protecting people from arrows symbolising disease; the Devil rules below, where plague attacks the land. Lithograph after L. Dottorini after Benedetto Bonfigli, 1464 (?).
  • Lightning pierces through the clouds, heralding the coming of Christ. Engraving by J. Barlow, 1813, after W.M. Craig.
  • The graves open on the day of judgement; Christ, apostles and female saints look on. Engraving after M. Heemskerck, 1564.
  • Saint Mary (the Blessed Virgin) with the Christ Child and Saint Catherine of Alexandria. Colour etching by F. Bartolozzi.
  • Saint Mary (the Blessed Virgin) with the Christ Child and Saint John the Baptist. Engraving by W. Holl after F. Barocci.
  • Above, Jesus Christ and M. Georg Michaelis point to the Bible placed on an altar; below left, a man seeking that he may find; below right, Archimedes stepping out of the bath saying "Eureka". Engraving, 1733.
  • Head of the infant Jesus. Drawing, c. 1791, after Raphael.
  • Christ gives Saint Peter of Alcántara a bowl of food, and reaches for a bottle of water for him, seen in a vision by Saint Teresa of Avila. Colour etching by A. Scacciati, 1758, after A.D. Gabbiani.
  • Christ beaten and mocked before the High Priest Caiaphas. Etching by Jacques Callot.
  • Christ appears in the skies on the day of judgement. Engraving after M. Rota after Michelangelo.
  • The Virgin Mary and Christ child, Saint Paul, Saint Mary Magdalene, Saint Benedict and Saint Joseph. Drawing by F. Rosaspina, c. 1830, after B. Ramenghi, il Bagnacavallo.
  • Saint Mary (the Blessed Virgin) and Saint Joseph with the Christ Child. Engraving by Agostino Carracci, 1597.
  • Christ as apothecary; suggesting the idea of Christ as the universal healer. Reproduction of a photograph of an oil painting after J. Marie Appeli, 1731.
  • Christ, enthroned, crowns Mary in heaven. Etching with aquatint by C.M. Metz after Giotto and G. Vasari.
  • The death of Joseph. Etching by L. Mattioli, c. 1720, after M.A. Franceschini.
  • Christ as Salvator Mundi. Process print after J. Lafarge, 1899.
  • Jesus and the apostles pass judgement on the dead, who emerge from square holes in the ground. Etching.