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  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • A group of drinkers are disrupted by a water pump telling them to take only "the pledge". Etching, c. 1844, after G. Cruikshank.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • Protests against the Corrie Amendment to the 1967 Abortion Act in the United Kingdom. Colour process prints, 1979-1980.
  • A withered tree bearing apples labelled with sins; representing the life of the base, 'natural' man. Etching, 1771, after J. Bakewell.
  • Innocence attacked from four corners by "Iudex", "Persequutiō", "Avaritia" and "Invidia"; Justice looks down from above. Etching by C. Murer after himself, c. 1600-1614.
  • A wealthy bürger refuses charity to an old couple. Etching by C. Murer after himself, c. 1600-1614.
  • A family doctor, an obstetrician, a sensationalist author-doctor and a hypnotist; all pruriently satirised under the guise of moralism, as promoted by James Morison and his pharmaceutical company. Lithograph, 1852.
  • A family doctor, an obstetrician, a sensationalist author-doctor and a hypnotist; all pruriently satirised under the guise of moralism, as promoted by James Morison and his pharmaceutical company. Lithograph, 1852.
  • A woman pouring wine from a jug into a goblet; representing the virtue of temperance. Etching, 16--.
  • An invitation to the "people & research" workshop : Thursday 28th September 1989, Newnham College, Cambridge / sponsored by Cambridge AIDS Roundtable, East Anglian Regional Health Authority.
  • An invitation to the "people & research" workshop : Thursday 28th September 1989, Newnham College, Cambridge / sponsored by Cambridge AIDS Roundtable, East Anglian Regional Health Authority.
  • An invitation to the "people & research" workshop : Thursday 28th September 1989, Newnham College, Cambridge / sponsored by Cambridge AIDS Roundtable, East Anglian Regional Health Authority.
  • An invitation to the "people & research" workshop : Thursday 28th September 1989, Newnham College, Cambridge / sponsored by Cambridge AIDS Roundtable, East Anglian Regional Health Authority.
  • Forms of misbehaviour, drunkeness, debauchery, and violence among Sikhs. Coloured transfer lithograph.
  • A woman with two serpents holding her finger to her lips; representing prudence. Etching, 16--.
  • A bear overturns a barrel and is stung by bees; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • Two executors overcharge a heir, taking advantage of their distress. Colour photomechanical reproduction of a lithograph, c. 1900.
  • A street scene with building work going on: an old man holds his cap out to a well-dressed man who refuses to help him. Lithograph by Joseph Louis Hippolyte Bellangé.
  • Feast scene representing hospitality; alluding to Abraham and the three angels. Etching by C. Murer after himself, c. 1600-1614.
  • A fox talking to a chicken; representing a fable by Aesop on false friendship. Etching by C. Murer after himself, c. 1600-1614.
  • The good Samaritan takes care of an injured man in an inn. Wood engraving after P.R. Morris, 1858.
  • A mouse nibbles through a net in which a lion is caught; illustrating Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • A tree bearing apples labelled with virtues; representing the life of Christian virtue. Coloured lithograph, 1870, after J. Bakewell, 1771.
  • The return of the prodigal son. Drawing by F. Rosaspina, c. 1830, after L. Massari.