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  • Anatomical drawings of the eye.
  • Anatomical drawings of the eye. Description of plate facing page 85, shown in M0011086.
  • Anatomical drawings of the eye. Description of plate facing page 85, shown in M0011086.
  • Anatomical drawings of the eye. Description of plate facing page 85, shown in M0011086.
  • Anatomical drawings of the eye. Description of plate facing page 85, shown in M0011086.
  • Anatomical drawings of the eye. Description of plate facing page 85, shown in M0011086.
  • Anatomical studies of the bones and muscles, for the use of artists / from drawings by the late John Flaxman. Engraved by Henry Landseer; with two additional plates; and explanatory notes, by William Robertson.
  • Anatomical studies of the bones and muscles, for the use of artists / from drawings by the late John Flaxman. Engraved by Henry Landseer; with two additional plates; and explanatory notes, by William Robertson.
  • Anatomical studies of the bones and muscles, for the use of artists / from drawings by the late John Flaxman. Engraved by Henry Landseer; with two additional plates; and explanatory notes, by William Robertson.
  • Anatomical studies of the bones and muscles, for the use of artists / from drawings by the late John Flaxman. Engraved by Henry Landseer; with two additional plates; and explanatory notes, by William Robertson.
  • Anatomico-chirurgical views of the nose, mouth, larynx, & fauces / with appropriate explanations, and references ... The engravings executed by J. Hopwood, from original drawings, by T. Baxter. By John James Watt. [Together with an additional anatomical description of the parts, by Mr W. Lawrence.].
  • Anatomico-chirurgical views of the nose, mouth, larynx, & fauces / with appropriate explanations, and references ... The engravings executed by J. Hopwood, from original drawings, by T. Baxter. By John James Watt. [Together with an additional anatomical description of the parts, by Mr W. Lawrence.].
  • Michelangelo drawing from an anatomized cadaver. Photogravure after M. J. A. Mercié.
  • Michelangelo drawing from an anatomized cadaver. Photogravure after M. J. A. Mercié.
  • Michelangelo drawing from an anatomized cadaver. Photogravure after M. J. A. Mercié.
  • Graphic illustrations of abortion and the diseases of menstruation / Consisting of twelve plates from drawings engraved on stone, and coloured by Mr. J. Perry, and two copperplates from the Philosophical transactions, coloured by the same artist. The whole representing forty-five specimens of aborted ova and adventitious productions of the uterus, with preliminary observations, explanations of the figures, and remarks, anatomical physiological. By A. B. Granville.
  • Anatomical fugitive sheet, female, 1495
  • Two écorchés, facing right. Drawing, attributed to Bartolomeo Passarotti, 15--.
  • Two écorchés, facing right. Drawing, attributed to Bartolomeo Passarotti, 15--.
  • Principal blood vessels of the human body. Coloured stipple engraving by G. Cole after G. Kirtland, 1815.
  • Principal blood vessels of the human body. Coloured stipple engraving by G. Cole after G. Kirtland, 1815.
  • Hemispherectomy in an adult patient: four figures. Carbon dust drawing by A.J. Arnott, 1960.
  • An écorché figure (life-size), lying prone on a table: the right arm hangs down below the table. Red chalk and pencil drawing, with bodycolour, by C. Landseer, 1813 (?).
  • An écorché figure (life-size), lying prone on a table: the right arm hangs down below the table. Red chalk and pencil drawing, with bodycolour, by C. Landseer, 1813 (?).
  • Sagittal section of the pelvis showing a large fibroma of the ovary
  • The viscera, after Haller, showing the lobes of the liver, the stomach, the kidneys, the spleen, etc. Engraving by Benard, late 18th century.
  • The female generative organs, after Haller. Engraving by Benard, late 18th century.
  • The muscles of the lower arm: the left forearm is seen twice, crossed over and resting on the right forearm and extending from the shoulder. Drawing after Peter Paul Rubens, c. 1610.
  • The muscles of the lower arm: the left forearm is seen twice, crossed over and resting on the right forearm and extending from the shoulder. Drawing after Peter Paul Rubens, c. 1610.
  • The arteries of the head after Haller; the eye, after Ruysch, Cowper and Bidloo. Engraving by A.J. Defehrt, 1762.