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Five Sacred WoundsReset filters
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  • The four holy women lament over the dead Christ. Line engraving by Agostino Carracci, 1598, after Annibale Carracci, 1597.
  • The risen Christ shows his lance wound to Saint Thomas. Engraving by J. Sturt.
  • Christ winnowing evil from the human heart; a penitent bathing in the blood and water from Christ's side; an angel locking a dragon in hell. Engraving by H. Goltzius, 1578.
  • Saint Mary Magdalene clasps her hands before the crucified Christ. Watercolour painting.
  • Souls in purgatory, looking up at the wounds of Christ and at the Sacred Heart and the Immaculate Heart. Watercolour.
  • The risen Christ appears to the Virgin Mary. Line engraving by R. Strange, 1773, after himself, 1764, after G.F. Barbieri, il Guercino.
  • Souls in purgatory, looking up at the wounds of Christ and at the Sacred Heart and the Immaculate Heart. Watercolour.
  • Saint Francis of Assisi receiving the stigmata. Drawing by F. Rosaspina, 1830, after F.G. Gessi.
  • Christ shows his stigmata to Saint Thomas. Woodcut.
  • Saint Thomas puts his finger into Christ's wounded side. Lithograph by J.G. Schreiner.
  • The four holy women lament over the dead Christ. Mezzotint by W. Say, 1824, after Annibale Carracci, 1597.
  • The three holy women before the crucified Christ. Watercolour painting.
  • Saint Catherine of Siena: Christ invites her to kiss the wound in his side and drink his blood. Engraving by V. Salimbeni, 1588.
  • The three holy women lament over the dead body of Christ. Coloured mezzotint by V. Green, 1800, after Maria Cosway, 1799.
  • The wounds of Christ and the Instruments of the Passion; Saint Francis presenting the cross which indicates the height of Christ. Engraving.
  • A cross with the Virgin of the Ursulines at Landshut, the wounds of Christ, and saints used against witchcraft, fire, plague, and storms. Etching.
  • The risen Christ appears to the Virgin Mary. Line engraving by R. Strange, 1773, after himself, 1764, after G.F. Barbieri, il Guercino.
  • The sense of touch: below, a bespectacled man examines coins and valuables, above, St Thomas puts his finger into the resurrected Christ's side. Engraving after G. Collaert, 1630, after N. van der Horst.
  • The Virgin Mary or Mary Magdalene before the crucified Christ. Watercolour painting.
  • The four holy women lament over the dead Christ. Line engraving by Agostino Carracci, 1598, after Annibale Carracci, 1597.
  • Christ appearing to the apostle Thomas, who touches his stigmata. Engraving by G. Huret, 1664, after himself.
  • The sense of touch: below, a bespectacled man examines coins and valuables, above, St Thomas puts his finger into the resurrected Christ's side. Engraving after G. Collaert, 1630, after N. van der Horst.
  • Souls in purgatory, looking up at the wounds of Christ and at the Sacred Heart and the Immaculate Heart. Watercolour.
  • Christ appearing to the apostle Thomas, who touches his stigmata. Engraving by C. van Dalen after W-P. Crabeth.
  • Saint Thomas, holding a book, touches Christ's lacerated side. Stipple engraving by E. Scriven after L. Eusebi after A. van der Werff.
  • The crucifixion of Christ; his side is punctured by a soldier's lance. Engraving by B. à Bolswert after P.P. Rubens.
  • Christ appearing to the apostle Thomas, who touches his stigmata. Engraving by A. Rordorf, 1850, after J.F. Overbeck.
  • Saint Thomas the Apostle puts his finger in the lance wound of the risen Christ. Etching by G. de Lairesse.
  • The Virgin and Saint Mary Magdalene lament over the dead Christ. Line engraving by L. Kilian after H. von Aachen.
  • The wounds of Christ with Saint Francis who holds the Cross inside the side wound. Engraving.