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  • A statue of a hog with litter of suckling piglets. Pencil drawing by W. Ottley.
  • A woman, the physiognomy of whom expresses attention excited by desire. Drawing, c. 1794.
  • Bones of the cheek: side view of the temporal, schenoid and malar bones. Pencil and watercolour drawing by J.C. Whishaw, 1852.
  • Head of a boy. Drawing, c. 1794.
  • Muscles of the leg and foot: four figures. Pencil drawing by J. Mongrédien, ca. 1880.
  • A pair of arms thrown up in despair at the thought that there is no God. Drawing by M. Bishop, 1975.
  • Muscles of the trunk: four figures, including the ribcage and shoulder. Pencil drawing by A. Mongrédien, ca. 1880.
  • Head of John the Baptist as a youth. Drawing, c. 1791, after Raphael.
  • Two figures joined in conflict. Drawing by M. Bishop, 1976.
  • Rose (Rosa species): flowers and leaves. Pencil drawing.
  • The Vatican Meleager. Pencil drawing by J. Newton.
  • Six physiognomies. Drawing, c. 1789, after C. Le Brun.
  • Guido Reni: portrait. Drawing, c. 1793.
  • A woman's head, expressive of sublime compassion. Drawing, c. 1791, after Raphael.
  • Outlines of faces: the left-hand pair expressing good judgment, the right-hand pair weakness of mind. Drawing, c. 1789.
  • Black nightshade (Solanum nigrum): leaves and fruits. Pen drawing, partially coloured.
  • The head of Hercules. Drawing, c. 1792.
  • Navigation: an astrolabe, a cross-staff, and a back-staff or Davis's sextant. Drawing after Edmund Gunter, 1624.
  • Thirteen physiognomies. Drawing, c. 1789.
  • Muscles of the trunk: side view. Pencil and chalk drawing by J. Mongrédien, ca. 1880.
  • Grape vine with fruit and leaves. Pencil drawing.
  • A young woman, front view, right forearm only partially completed. Drawing attributed to H.W. Berend, c. 1856.
  • Charles Lucien Jules Laurent Bonaparte, Prince de Canino. Pencil drawing by C. E. Liverati, 1841.
  • An eye; according to Lavater, belonging to a promising young man. Drawing, c. 1794.
  • Ellen Julia Hollond. Coloured drawing, 1841.
  • A woman in labour, lying down, eyes closed, her partner next to her.
  • Profile of a benign looking woman exemplifying Lavater's principle of the homogeneity of the face. Drawing, c. 1791.
  • Female and male hands (above and below respectively). Drawing after H. Fuseli, c. 1793.
  • Nine mouths. Drawing, c. 1793.
  • A pair of eyes belonging to a senator. Drawing, c. 1794.