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62 results
  • A new apothecary's shop open for business, with parody advertisements for different potions; representing the remedies required for different professions and social types. Coloured etching after G.M. Woodward, 1802.
  • People living a life of fantasy as a result of being excessively influenced by reading novels. Coloured etching after G.M. Woodward, 1800.
  • Two men, one with an exaggerated chin, the other with a large nose. Coloured pen drawing attributed to G.M. Woodward.
  • Four groups of figures in conversation. Coloured etching after G.M. Woodward, ca. 1800.
  • A new apothecary's shop open for business, with parody advertisements for different potions; representing the remedies required for different professions and social types. Coloured etching after G.M. Woodward, 1802.
  • A doctor waiting for his patient to vomit after administering an emetic. Coloured aquatint by G.M. Woodward, 1800.
  • Four conversations in which one speaker annoys the other. Coloured etching, 1800.
  • Four groups of figures in conversation. Coloured etching after G.M. Woodward, ca. 1800.
  • A fat parson with large glass of port in hand is watched by a thin, naked man representing care (worry), and tells him to be gone. Coloured etching after G. Woodward, 1796.
  • A deputation of dissolute surgeons to the Lord Chancellor. Coloured etching by G.M. Woodward, 1797.
  • Four conversations in which one speaker annoys the other. Coloured etching, 1800.
  • A new apothecary's shop open for business, with parody advertisements for different potions; representing the remedies required for different professions and social types. Coloured etching after G.M. Woodward, 1802.
  • Georgian gentlemen smoking, drinking and reading newspapers at their club. Coloured aquatint by John Caspar Ziegler after George Moutard Woodward, published by William Holland, 1798.
  • People living a life of fantasy as a result of being excessively influenced by reading novels. Coloured etching after G.M. Woodward, 1800.
  • A lecturer (William Kitchiner?) about to address a lecture on optics with the aid of candles, a telescope and magic lantern to a seated audience, he is interrupted by a Kentish hop merchant. Coloured etching, 1809, after G.M. Woodward.
  • An Oxford University proctor wearing a wig and carrying a cane looks through a quizzing glass at a flowerpot shown to him by a gardener. Pen and ink drawing by or after G.M. Woodward.
  • An apothecary weeping at the grave of his late most prosperous and prevalent patient. Coloured aquatint by G.M. Woodward, 1801.
  • A deputation of dissolute surgeons to the Lord Chancellor. Coloured etching by G.M. Woodward, 1797.
  • A sequence of eight images showing men shaving. Coloured etching, 1796, by G.M. Woodward after himself.
  • A new apothecary's shop open for business, with parody advertisements for different potions; representing the remedies required for different professions and social types. Coloured etching after G.M. Woodward, 1802.
  • The ghost of the revolutionary politician Mirabeau giving an address. Coloured etching, 1791.
  • Two disabled veteran sailors, employed by an admiral as messengers, delivering a letter to the servant at the front door of a town-house. Coloured etching after G.M. Woodward, 1790.
  • Georgian gentlemen smoking, drinking and reading newspapers at their club. Coloured aquatint by John Caspar Ziegler after George Moutard Woodward, published by William Holland, 1798.
  • The apparent revival of a dead man by galvanism. Drawing attributed to G.M. Woodward.
  • Men and women are sitting in coaches holding on to the straps. Etching by Cruikshank after Woodward.
  • A monk is asleep in his chair dreaming of being offered food and wine by young women. Etching by Cruikshank after Woodward.
  • A laughing chimney sweep covered in soot except for his white wig which is glowing with hair powder. Coloured etching by W. Hanlon, 1795, after G.M. Woodward.
  • Two elderly women in bed, disturbed from sleep by a nightmare vision of "The monster" (R. Williams), 1790. Drawing.
  • A couple of country folk consulting an aged doctor; a servant smiles menacingly in the doorway. Coloured etching by T. Rowlandson, 1809, after G.M. Woodward.
  • A doctor prescribing continuation of treatment to his reluctant patient. Coloured etching by T. Rowlandson, 1799, after G.M. Woodward.