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  • Anatomy improv'd and illustrated with regard to the uses thereof in designing: not only laid down from an examen of the bones and muscles of the human body, but also demonstrated and exemplified from the most celebrated antique statues in Rome. Exhibited in a great number of copper plates, with all the figures in various views / Intended originally for y use of the Royal French Academy of Painting and Sculpture. And carried on under the care and inspection of Charles Errard director of the same in Rome. The dissections made by Doc[to]r Ber[nardin]o Genga ... The explanations and indexes added by ... John Maria Lancissi ... First published at Rome by Dom di Rossi and now reengraven ... And republish'd by John Senex. A work of great use to painters, sculptors, statuaries and all others studious in the noble art of designing.
  • An artist seated on a rock at the sea shore and oblivious to the rising tide. Engraving by H. Rolls, 1835, after R.W. Buss.
  • Parodies of pictures at the Royal Academy: women enjoying a bottle of wine, a nun wearing a wimple and a cross, a man riding a hobby horse and a dog with very large teeth. Wood engraving by Dalziel Brothers after John Gordon Thomson, 1871-1872.
  • Parodies of pictures at the Royal Academy: women are playing cards at a table, a man has a bottle stuck on the end of his nose, jockeys ride on rocking horses and a camel looks over pyramid. Wood engraving by Dalziel Brothers, 1872, after John Gordon Thomson.
  • Parodies of pictures at the Royal Academy: men and women eating and drinking, a soldier's boots being cleaned, a woman tending to a child and figures hanging over a line. Wood engraving.
  • People looking at the pictures on exhibition at the Royal Academy, London. Engraving by Radclyffe after Sargent.
  • Parodies of pictures at the Royal Academy: a woman in the centre surrounded by candles in holders, a man (Frederic Leighton RA) with a box of collars, a goose girl, soldiers in battle and women at tables. Wood engravings by Dalziel Brothers after J.G Thomson, 1871.
  • The life school at the Royal Academy of Arts, London, with William Hunter, left, teaching anatomy. Drawing attributed to Elias Martin, ca. 1770.
  • William Hunter's life class for the Royal Academy of Art at old Somerset House. Mezzotint, 1783, after J. Zoffany.
  • William Hunter's life class for the Royal Academy of Art at old Somerset House. Mezzotint, 1783, after J. Zoffany.
  • Anatomy lessons at St Dunstan's. Oil painting by J.H. Lobley, 1919.
  • Anatomy lessons at St Dunstan's. Oil painting by J.H. Lobley, 1919.
  • Anatomy lessons at St Dunstan's. Oil painting by J.H. Lobley, 1919.
  • An octave for Mr Ernest Hart at Sir Henry Thompson's house. Oil painting by Solomon Joseph Solomon R.A., ca. 1893.
  • An octave for Mr Ernest Hart at Sir Henry Thompson's house. Oil painting by Solomon Joseph Solomon R.A., ca. 1893.
  • An octave for Mr Ernest Hart at Sir Henry Thompson's house. Oil painting by Solomon Joseph Solomon R.A., ca. 1893.
  • An octave for Mr Ernest Hart at Sir Henry Thompson's house. Oil painting by Solomon Joseph Solomon R.A., ca. 1893.
  • An octave for Mr Ernest Hart at Sir Henry Thompson's house. Oil painting by Solomon Joseph Solomon R.A., ca. 1893.
  • The assumption of Queen Victoria. Photogravure, 1902, after A. Drummond, 1901.