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  • Twelve Catholic men of science / edited by Sir Bertram Windle.
  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • A surgical operation to remove a malignant tumour from a man's left breast and armpit in a Dublin drawing room, 1817. Watercolour, ca 1913, after a watercolour, 1817.
  • Joseph Priestley, the discoverer of oxygen. Oil painting by Ernest Board, 1912.
  • Joseph Priestley, the discoverer of oxygen. Oil painting by Ernest Board, 1912.
  • Joseph Priestley, the discoverer of oxygen. Oil painting by Ernest Board, 1912.
  • The moon, viewed in oblique sunlight. Stipple engraving, 1806, by J. Russell.
  • The moon, viewed in oblique sunlight. Stipple engraving, 1806, by J. Russell.
  • The moon, viewed in full sunlight. Stipple engraving by J. Russell, 1805.
  • The moon, viewed in full sunlight. Stipple engraving by J. Russell, 1805.
  • The moon, viewed in full sunlight. Stipple engraving by J. Russell, 1805.
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • Evidence as to man's place in nature / by Thomas Henry Huxley.
  • The first use of ether in dental surgery, 1846. Oil painting by Ernest Board.
  • Darwin and modern science : essays in commemoration of the centenary of the birth of Charles Darwin and of the fiftieth anniversary of the publication of the Origin of species / edited for the Cambridge Philosophical society and the syndics of the University press, by A.C. Seward.
  • Deep muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Deep muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the neck, tongue and jaws. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the eye and larynx and the head shown with a section of skull removed. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the head, neck and shoulders. Colour mezzotint by J.F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the right side of the head and neck. Colour mezzotint by J.F. Gautier d'Agoty, 1745-1746.
  • Muscles of the head and neck, the head raised and the lower jaw removed exposing the teeth and the zygomatic arch. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.
  • Muscles of the pharynx, viewed from the back and side, and separated. Colour mezzotint by J. F. Gautier d'Agoty after himself, 1745-1746.